12 November 2018 thebackstageaccess p gaskell

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Biding his time, ReOrder hasn’t been hurried into sending his first album out there. o goshi judo It’s been ten years since the Slovakian studiohead began making impressions on the scene, most recently through his outings on Black Hole, FSOE, Subculture, Monster and others. It was time well stayed: a period in which he honed his craft, instinctively built out his musical range, found himself as an artist, and all the while sized up the album playing field.

It’s inherent in the album medium, but you only get one shot at your first longplayer. gas youtube That blank canvass, the proverbial clean sheet – the one and only chance to drop that flawless debut into the discography. Artists approach their firsts in many different ways: the eclectic, the collaborative, the headline-chasing, the all-in/bases-covered. When it comes to ReOrder’s however, he had one central mandate above all others: “ deliver an album with as fewer preconceptions attached as possible ”.

“I wanted this record to be a ‘book’ impossible to assess by its cover, says Tibor. static electricity sound effect One for people to listen to, to absorb and make their own minds up on. One that carried as fewer advance notions or biases as possible. z gas el salvador empleos To this end (not unreasonably after ten years) the producer placed full store in his own abilities – producing the tracks, almost without exception without co-producers. When artistic alliances did come to play a part, he wanted them to be with newer names/talent, which would slalom any/all predetermination traps.

Waves of chord and pad, picked out by elegantly played piano keys form ‘ Reinstate ’ – the beat-free intro piece, with which he cues the album. ReOrder then serves two numbers in quick succession sung by American singer/songwriter Weldon. gas out game directions Thus far largely only known within deep house circles, he brings both relatable edge to ‘Entropy’ & ‘Gravity’s verses, while their choruses become more metaphoric in nature. what is electricity Near solo, Emma Chatt’s voice carries the first half of ‘Alive Tonight’, before it catches a swell of Tibor’s primetime synth sensibility. Meanwhile Lebanese vocalist Cassandra Grey adds her breath-stealing touch to ‘Goodbye’, finding pathos and bittersweet-ness to equalize the thrust of ReOrder’s skybound studio work.

In solo mode the Slovakian pushes further into the instrumental trance gamut. ‘Digital World’ lends a psy-ish warp to the album, while ‘Beyond Time’ and ‘All There Is’ respectively find it at its most melodic and euphorically laser-struck extents. gas monkey monster truck body Bringing the full extent of its scope into sharpest focus, in its final moments the album engages the chilled elegance of the Susie Ledge-sung ‘Far Away and the breaks-fuelled energy burst that is C-qnz-collab ‘Reunited’.

Although some might take it slow during the holiday season, Maurice West is still racing towards the end of the year at top speed. Fresh from working with some of the biggest names in the scene (e.g. Hardwell, KSHMR and W&W), playing his first sold-out show during the Amsterdam Dance Event and wreaking havoc at the biggest festivals in the world (including Ultra Miami, Tomorrowland and World Club Dome), the Dutch DJ and producer drops a brand-new record bound to slam down hard on the dance floor: ‘The Kick’.

An infectious track made to lay the main stages of the world’s biggest festivals in ruin, ‘The Kick’ is a staple track meant to get stuck on repeat. Considering the raw power of the punchy synths, the impact of the hard-hitting drops and how hard they make it for anyone to sit still, this monster track validates that 2018 has been a tremendous year for Maurice West and drops him off splendidly at his next Asia run, starting next month with Creamfields Shanghai and Hong Kong, We Are Connected and ISY Festival.

Maurice West already made huge waves in the dance music community at an early age. Growing up in a family of skillful musicians, Maurice set his goals as a kid and started out with instruments like the piano, guitar and drums to pave the way for his later endeavors. Now combining his musical background and his ability to create supercharged progressive and blistering electro house to push boundaries, he doesn’t play by the rules and eats the boundaries of genres for breakfast. physics c electricity and magnetism formula sheet And that’s exactly why Maurice West is regarded an one of the most exciting talents of the dance music realm today.