17 Must-read screenwriting lessons from stan lee – screencraft gas oil ratio


We’re still mourning the loss of Stan Lee, an iconic storyteller that created many of the 20th and 21st Century versions of mythology — superheroes. He collaborated with other Marvel figures like Jack Kirby and Steve Ditko to create modern mythical characters like Spider-Man, the X-Men, Iron Man, Thor, the Hulk, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, Scarlet Witch, and Ant-Man. For most of those characters, he was the driving force behind their conception.

But if you’re not genuinely invested into writing cinematic stories, you’re going to find it very difficult to keep that engine churning. Why? Because rejection is the nature of the film and television industry, especially when it comes to screenwriting. And if you aren’t completely invested in this trade, you’re going to lose that necessary drive to keep you going.

It’s a calling. electricity in costa rica voltage It’s an internal flame that can’t be extinguished. 4. “I’m sort of a pressure writer. If somebody says, ‘Stan, write something,’ and I have to have it by tomorrow morning, I’ll just sit down, and I’ll write it. It always seems to come to me. But I’m better doing a rushed job because if it isn’t something that’s due quickly, I won’t work on it until it becomes almost an emergency and then I’ll do it.”

To truly evolve, you have to broaden your storytelling horizon. Read books. z gas ensenada Read plays. Watch movies and television series. All writers and storytellers — be it cinematic, literary, or from the stage — help each other evolve. We inspire each other. We open doors for each other. And we explore doors that others introduced but didn’t fully venture through.

Again, it’s all about the drive. You have to need to do it. 7. “To my way of thinking, whether it’s a superhero movie or a romance or a comedy or whatever, the most important thing is you’ve got to care about the characters. ag gaston birmingham You’ve got to understand the characters, and you’ve got to be interested. If the characters are interesting, you’re half-way home.”

Even in Creed 2, we enjoy the villains of the film (Drago and his son) because they are vulnerable. The father is dealing with the shame of losing to Rocky, which caused him to lose everything. The son is dealing with his father’s shamed legacy, as well as his mother not wanting to be a part of his life. They are the best villains or antagonists since Apollo Creed in the Rocky and Creed franchises because of that. 11. “I see myself in everything I write. All the good guys are me.”

You can’t expect to know what makes others laugh, cry, scream, or cheer. Instead, write for yourself. There are billions of people on this planet. gas zyklon b Hundreds of millions of them watch movies. The odds of connecting with someone similar to you are in your favor tenfold. 13. “No matter what you write, it’s a matter of putting words in a certain order so that the reader will be interested in what you’re writing.”

And the true fun behind writing is asking those key questions that define the character’s struggles, the story’s conflicts, and the audience’s investment in both. 15. “You just have to think up an interesting character and an interesting problem, which it seems as though that character will never be able to solve, or a hurdle that he or she will never be able to overcome, and then you find a clever way for the hero to overcome it at the end.”

Stan was the master at conceptualizing characters and concepts. And in the end, it’s often more simple than you’d think. Create an interesting character and pose an equally interesting problem which they have to solve or deal with, and overcome it or succumb to it. gas kansas city Conflict, conflict, conflict. 16. “I had fun with all these characters because I literally knew where they lived, as well as what their personalities were. All that was left for me to do was make up the villains, which was even more fun than making up the heroes.”

He has many studio meetings under his belt as a produced screenwriter, meeting with the likes of Sony, Dreamworks, Universal, Disney, Warner Brothers, as well as many production and management companies. He has had a previous development deal with Lionsgate, as well as multiple writing assignments, including the produced miniseries Blackout, starring Anne Heche, Sean Patrick Flanery, Billy Zane, James Brolin, Haylie Duff, Brian Bloom, Eric La Salle, and Bruce Boxleitner. Follow Ken on Twitter @KenMovies