Alternate universe – fanlore walmart with a gas station near me


Alternate Universe (often abbreviated as AU) is a descriptor used to characterize fanworks which change one or more elements of the source work’s canon. Broadly, an AU may transplant a given source work’s characters to a radically different setting, shift the genre in which their adventures occur, and/or alter one or more of their professions, goals, or backstories.

AU fanworks cover a great deal of broadly defined creative territory with many subtropes. Under the broad umbrella of alternate universe, one can find both fanworks that only diverge from their source canons in a single, specific way (for example, a Star Wars AU in which the first Death Star is not 5 gases found in the environment destroyed) and fanworks that have changed things so significantly the characters are almost unrecognizable without their names (which is sometimes when an author will file gas and supply okc off the serial numbers).

It’s generally agreed that the most effective AUs are those in which—even in the most radically changed circumstances—the transplanted characters are clearly recognizable in relation to their canonical counterparts. However, there is much controversy in fandom as to what makes such characters recognizable and precisely when an AU deviates so far from canon that it effectively becomes original fiction—at which point it may no longer be considered proper fanfic, and may no longer appeal to fan audiences. [1] [2] [3] Definitions and Categorizations

Fanworks based on source-canon AUs may be labeled in various ways as well, sometimes using source-canon episode titles, and sometimes coining new terms. In Stargate Atlantis fandom, Mensaverse or Mensa AU denotes works spun off from the episode McKay and Mrs. Miller, while in Xena fandom, Conqueror tags stories set in the world of the Hercules episode Armageddon Now.

In general when a fanwork is stated to be set in a ‘mirror universe,’ it means the story will be darkfic. The canonical moral inversion of the Mirror Universe setting gives the fanwork electric utility companies charge customers for creator the opportunity to depict dark subjects that would not be part of canon. Characters from the regular universe and the Mirror Universe may also interact, giving the writer an opportunity to explore doppelganger or Evil Twin scenarios.

While the Hollywood-coined term reboot—popularized in connection with Star Trek XI (2009), which went to great lengths [6] to characterize itself as existing in a parallel timeline to that of Star Trek: The Original Series—often arguably describes an AU version of a previous source work, fandom has not generally adopted the term either as a descriptor for fanworks or of the fandoms arising from commercial reboots.

In some cases, an AU fanwork can become popular enough that its readers are inspired to create additional works in the same setting. This can result in a shared universe consisting of anywhere from a handful of stories to hundreds. (This electricity invented usage of the phrase differs somewhat from that of professional writers working in shared world settings such k electric bill payment online as the Wild Cards or Thieves’ World books.)

Categorizing AUs is complicated by the fact that over time, different naming conventions have been used by different fandoms and fan groups. For example, some fans use alternate reality to describe stories that diverge from source canon at a specific point, while others use the same phrase to describe stories that drop characters from their source canons into an entirely different milieu. Likewise, the 1990s saw an effort made to adopt extended universe to describe narrowly divergent stories and to limit AU to describing more radically divergent works. (Not surprisingly, it didn’t take.)

The concept of AUs is not restricted to fanworks. Time Travel in fiction often involves travel through or the creation of alternate universes (sometimes called alternate timelines), although many canons have a canonical alternate universes without the any time travel. An early example — and a common trope — is the movie It’s a Wonderful Life (1949) and the short story it was based on, The gas block dimple jig Greatest Gift by Philip Van Doren Stern (written in 1939), in which an angel shows the main character what life would be like for his loved ones if he had never been born.

Star Trek: The Original Series brought the concept of alternate universes to much of the American public, most notably with the episode Mirror, Mirror: the Mirror Universe, a type of alternate universe in which familiar characters are given reversed characteristics, has featured heavily in extended canon materials and on q gas station okc recently has become very important in Star Trek: Discovery. Other notable TV Western TV shows with alternate universes include Xena: Warrior Princess (1995), [note 1] Buffy the Vampire Slayer (1997), [note 2] Red Dwarf (1988), [note 3] and Supernatural (2005). [note 4] Western comics publishers are also known for alternate universes: DC has Elseworlds [note 5] and Marvel as What If…?).

Alternate universes are also popular in Eastern media. The One Piece anime has several specials which portray the cast as superheroes and supervillains, or denizens of a Tokugawa-era Japanese town. Kazuya Minekura wrote Executive Committee, a silly high school AU of her manga Wild Adapter. Puella Magi Madoka Magica involves magical girls repeating increasingly dark iterations of the same timeline. Other notable examples include Dragonball Z (1989), [note 6] the 2003 Fullmetal Alchemist anime, [note 7] Tengen Toppa Gurren Lagann: Parallel Works (2008), and Tsubasa: Reservoir Chronicle (2003). [note 8] Examples of AU Subtypes

Why do AUs, so many of them just seem electricity labs for middle school like they were written to get the guys in different costumes. I firmly believe in fun role-playing, and fantasizing about what B and D would be like in a Victorian London setting seems like perfectly harmless fun to me. Obviously, as I said, it requires some work to make them recognizable and gas efficient suv 2013 to make the plot interesting. I see the point of an AU to be having events happen that couldn’t happen in the standard CI5 or Federation setting.

And for all those republicans out there who say but I LIKE the CI5 universe or the Federation is so cool, ask yourselves how often do slash stories ever really use the original universe to good effect? Stories that get the lads to a cabin in the woods, away from their standard setting, are propping up my bookcases by the zillions. At least when someone scribbles an AU, there is some energy and thought going into setting and plot, rather than just who gets the bed, heh heh, and the heat doesn’t seem to be working, fancy that.

Of course, that brings up the fact that characters are a part of their environment. What has happened to them plays an inevitable part gas explosion in texas in the ‘person’ they are. Take Obi-Wan out of the Star Wars universe, plonk him in modern-day Manchester, and you’ve either got an entirely different personality or a completely unrealistic character. […] A character is so strongly influenced by their environment that if you take them out of it, they are simply people with the same physical appearance but entirely different personalities

[…] When it reaches this point, I start wondering why the author insists on labelling their work as ‘fanfic’ when there is so little of the original still remaining. Is this an attempt to reach an audience? There are hundreds of slashfic mailing lists out there. By posting to one or more of them, you’re pretty much guaranteed that somebody, somewhere, will read your story. Maybe they’ll even email you to say, Hey, kewl story!!!! By contrast, try finding a place to post your original homo-erotic gas quality comparison fiction. It ain’t easy, is it?

Today I was reminded of a conversation I was having with someone over the question of is all fanfiction AU? The answer to me seemed to obviously be yes in the sense that nearly all fanfic is going to deviate from canon in some way, if not now then by being Jossed in the future. There is certainly a good chunk of gen that fits neatly into open e85 gas stations in iowa canon spaces, but I think the majority of fic indeed skews away from canon in either its premise or in the repercussions for events in the fic.

But my bigger issue is with the term AU because it’s used frequently to mean what I consider to be vastly different things. I find the term always has relevance in indicating that the story is somehow non-canon-compliant. However, the ways in which this lack of compliance occurs may relate to settings, life histories, character development, or timeline changes. And in some cases the term is used mostly to distinguish cloaked original fic from canon-inspired hp gas online booking hyderabad stories. Moreover, the fandom in which the term is used may affect the definition in ways that are not the same across the board.

To reiterate, rather than the blanket term AU, I think we also need alternate life (AL), alternate setting (AS), alternate timeline (AT), and alternate characterization (AC) if we really want to be on the same page in discussing how fanfic deviates from canon, and when it has nothing to do with canon at all. It’s also useful if we want to look at how differently fans can explore different canons.