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The most memorable political event John Kerry was ever involved in as an elected official occurred at the University of Florida in 2007, and it had nothing to do with him. Anyone who’s ever gone to a public question-and-answer event knows the subject of the video: the guy gas station near me who has a comment, rather than an actual question. It’s annoying and potentially entertaining (usually just annoying), but the way things devolve here are both a horrible nightmare of the second W. term, when it had long become clear that the administration had successfully shifted the context of public discourse to PATRIOTISM OR WEAK-ASS LIBERAL BULLSHIT, and a precursor to the increased attention on excessive force by police. There’s no reason to arrest or tase this idiot, and he does himself no favors by coining a catchphrase etched in the public consciousness: Don’t tase me, bro! You can add all the political remonstrating you gas nozzle prank want, but a bro is a bro is a bro, even when electricity is passed through his body until he screams bro.

The unfettered zeal of Steve Moore, the Mad Drummer, as he flails and stick twirls to ZZ Top’s Sharp Dressed Man, inspires the kind of joy we all, at some point or another, wish we could muster in the face of less-than-ideal circumstances. It’s easy to construct a dour fictional narrative of this man’s life: a failed rocker 3 gases that cause acid rain relegated to life as a cover artist, playing fluorescently lit cafeterias, where the only songs the audience wants are tried-and-true classics decades old. In reality, this is partly true: Moore was a struggling musician, sleeping on studio floors, until speedy q gas station Rick K. the Allnighters, a show band with an aggressive touring schedule, picked him up as their drummer. The fact that he seizes this opportunity (and the many others that followed in the wake of this video’s virality, including a cameo in a late season of The Office) and provides what he believes to be a small — and what winds up being enormous — audience a sublime moment of happiness is a reminder that no matter the stage, you should always show electricity office up in a gold blazer and fucking blow the roof off the place.

In 2008, Corey Worthington threw an epic party in Australia, one in which the police were called after attendees damaged neighbors’ property and, eventually, police cars themselves, all while Corey’s parents were out of town. When a local newscaster interviews him for a story, Corey does virtually everything right to cement his legacy as a folk hero: Sporting Pokémon-yellow hair poking out from under a trucker hat, he wears a jacket electricity estimated bills with no shirt underneath, and yellow-rimmed sunglasses. Remember the sunglasses. After throwing absolute heat in answering the patronizing newscaster’s questions (he hasn’t answered his parents’ calls because they’d probably want to kill him, duh), he expresses very little remorse. These things happen! Kids throw parties! But a great local news piece becomes legend right around the 2:35 mark, when Corey agrees to say sorry, yet refuses to take off his glasses. Why? Because e gaskell they’re famous. May we all be granted the kind of fuck-you poise Corey Worthington showed when under increasing pressure. Those glasses ARE famous.

What kind of content does Paul Rudd watch? According to this sketch from Tim and Eric Awesome Show, Great Job! Season Cinco’s final episode Milk Man, lots of other dancing Paul Rudds. Beautiful. Nonsensical. Kind of timely — well, at least when it came out. Landing in May 2010, right before Wanderlust and This Is 40, and right after Knocked Up, Forgetting Sarah Marshall, and I Love You, Man — in other words, right as Rudd was cementing his comedic megastar electricity omd status — this clip was a home run when it aired, and an even bigger one when it was reborn out of context on YouTube years later. It capitalized on the absurdity that was migrating from New York’s alt-comedy spaces to TV and the web. Now, it lives on as a wonderfully inexplicable precursor to the type of humor that thrives on Adult Swim and its ilk — as well as a Celery Man homage site where you can call up your own Mozza-Rell sequences all day long. It’s undeniable proof that Paul Rudd’s computer is way more interesting than the X-Men’s Cerebro o gosh. Hail, Tayne.