Brattleboro history – brattleboro history electricity in the body

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Gen. John Wolcott Phelps can make any historian ponder "the strange mutability of human affairs". 4 main gases in the atmosphere An immensely likable, and equally influential man, John W. Phelps lived in a Greek Revival house, one door north from the High School, which he called "The Lindens". John Phelps sold "The Lindens" on July 13, 1882 to School District No. 2, and it then served as the Intermediate school for eighty or ninety students until it was removed, beginning in May 1884—lock, stock, and barrel—to where it stands today on the south side of Grove Street. Henry Burnham purchased the main parts of the old high school and set them down for a tenement, along the north side of Grove Street.

Rev. Jedediah Stark, the long-time serving pastor for the First Congregational Church in West Brattleboro, spoke with his congregation throughout the 1820’s. His entirely forgotten history of the early settlement of Brattleboro begins in 1768 with the description of an Indian dance ring, poles, and fireplaces at a location near Cedar Street.

Inside "The House of the Seven Gables", Nathaniel Hawthorne concealed a short story which shows the persecution, trial, and execution of Hepzibah Pyncheon as a witch. This execution story is broken up into paragraphs, sentences, and phrases, and scattered into the text of the ongoing romance. These scattered pieces are re-assembled here. They reveal the cruel old Salem witchcraft story that Nathaniel Hawthorne wished to conceal from eyes more innocent than his own.

Hawthorne very carefully builds up a demonic aura about Hepzibah: "she expected to minister to the wants of the community, unseen, like a disembodied divinity, or enchantress, holding forth her bargains to the reverential and awe-stricken purchaser, in an invisible hand. . . She now issued forth, as would appear, to defend the entrance, looking, we must needs say, amazingly like the dragon which, in fairy tales, is wont to be the guardian over an enchanted beauty."

Satan calls Hepzibah—"She was suddenly startled by the tinkling alarum—high, sharp, and irregular—of a little bell. The maiden lady arose upon her feet, as pale as a ghost at cock-crow; for she was an enslaved spirit, and this the talisman to which she owed obedience." This "ugly and spiteful little din" betrays the appearance of Satan—

"But, at this instant, the shop-bell, right over her head, tinkled as if it were bewitched. gas explosion The old gentlewoman’s heart seemed to be attached to the same steel-spring; for it went through a series of sharp jerks, in unison with the sound. The door was thrust open, although no human form was perceptible on the other side of the half-window. Hepzibah, nevertheless, stood at a gaze, with her hands clasped, looking very much as if she had summoned up an evil spirit and were afraid, yet resolved, to hazard the encounter."

Satan has come to tempt his servant with the riches of the world, in an American version of the temptation of Christ during his forty days in the Wilderness: "Some malevolent spirit, doing his utmost to drive Hepzibah mad, unrolled before her imagination a kind of panorama, representing the great thoroughfare of a city, all astir with customers. gas x dosage pregnancy So many and so magnificent shops as there were!" The Pyncheon cent shop is very poor.

Hepzibah has "a sense of inevitable doom" about her nearsighted frown, or scowl, for good reason. This "scowl—a strange contortion of the brow—which, by people who did not know her, would probably have been interpreted as an expression of bitter anger and ill-will" has "done Miss Hepzibah a very ill-office, in establishing her character as an ill-tempered old maid. . .The custom of the shop fell off, because a story got abroad that she soured her small beer and other damageable commodities, by scowling on them." Moreover, in "her great life-trial. . . the testimony in regard to her scowl was frightfully important."

The laboring man Dixey testifies against her in his rough voice, "Why, her face—I’ve seen it; for I dug her garden for her, one year—her face is enough to frighten Old Nick himself, if he had ever so great a mind to trade with her. People can’t stand it, I tell you! She scowls dreadfully, reason or none, out of pure ugliness of temper!"

One Mrs. Gubbins also condemns Hepzibah. Hawthorne describes this demonic neighbor: "there came a fat woman. . . Her face glowed with fire-heat; and, it being a pretty warm morning, she bubbled and hissed, as it were, as if all a-fry with chimney-warmth, and summer-warmth, and the warmth of her own corpulent velocity." She angrily jarred and outraged the shop bell, muttered, "The deuce take Old Maid Pyncheon!" and "took her departure, still brimming over with hot wrath".

When both Clifford and the Judge die, in the concealed narrative, these eyewitnesses will accuse Hepzibah. She is accused specifically of the murder of Jaffrey Pyncheon, since the Judge died in her parlor. The "good lady on the opposite side of the street" will be there at the trial to explain that "there’s been a quarrel between him and Hepzibah, this many a day, because he won’t give her a living. That’s the main reason of her setting up a cent-shop."

The chapter called "The Flight of Two Owls" is filled with allusions to death and mortality. It records Hepzibah’s sensations on her way to the place of execution and to that "gimlet-eyed" gentleman who will kill her. electricity invented timeline This acerbic old gentleman thinks that the newly invented telegraph is a great thing, "particularly as regards the detection of bank-robbers and murderers. . ." Hawthorne describes his gimlet eye, which traditionally could bore into a person to cause paralysis or death.

There was "a moral sensation, mingling itself with the physical chill, and causing her to shake more in spirit than in body" and "the wretched consciousness of being adrift. She had lost the faculty of self-guidance". As they went on, the feeling of indistinctness and unreality kept dimly hovering roundabout her, and so diffusing itself into her system that one of her hands was hardly palpable to the touch of the other". gas laws worksheet She whispered to herself, again and again—"Am I awake?—Am I awake?"

And "the bell rang out its hasty peal, so well expressing the brief summons which life vouchsafes to us, in its hurried career. . . At a little distance stood a wooden church, black with age, and in a dismal state of ruin and decay, with broken windows, a great rift through the main-body of the edifice, and a rafter dangling from the top of the square tower". Hepzibah Pyncheon will be executed as a witch near Salem’s Gallows Hill.

The final scene is a deliberate parallel to the execution of Matthew Maule at the beginning of The House of the Seven Gables. Unlike Maule, Hepzibah does not curse the Pyncheons. Still, it is very difficult for Hepzibah to pray—"she lifted her eyes—scowling, poor, dim-sighted Hepzibah, in the face of Heaven!—and strove hard to send up a prayer through the dense, gray pavement of clouds."

"Those mists had gathered, as if to symbolize a great, brooding mass of human trouble, doubt, confusion, and chill indifference. . . Her faith was too weak; the prayer too heavy to be thus uplifted. It fell back, a lump of lead, upon her heart". Hepzibah’s prayer on the isolated railroad platform at the end of the familiar version of "The Flight of Two Owls" is, in reality, her final petition—

Hepzibah Pyncheon’s execution seems to be a literary description of carrying a cross, combined with suffering the "peine forte et dure"—pressing under planks with stones piled on gradually. This punishment was intended not to kill, but to extract a pleading, or possibly a confession. But beyond a certain weight, the crushing caused a lingering death.

The hidden and scattered quotations that are re-assembled here, may be found in The House of the Seven Gables, Volume 2 of "The Centenary Edition of the Works of Nathaniel Hawthorne", Edited by William Charvat, Roy Harvey Pearce, and Claude Simpson (Columbus, Ohio: Ohio State University Press, 1965). grade 6 electricity unit ontario See pages 33-4, 40, 41, 42, 47, 48-9, 126, 223-4, 236, 245, 253, 255, 256, 264, 266, 267, 288-9, 291-2, and 296.

The concealed narrative causes the smooth surface line of Hawthorne’s romance to lurch sometimes, and there are occasionally strange descriptions, and unaccountably awkward juxtapositions of sentences. One critic notes that "there are gaps in the plot through which a herd of rhinos could comfortably graze. . .". Hawthorne is so skilled in anticipating his readers’ innocent expectations, that his true story remains hidden. The unwary reader sees only the charming, sunny, "blue-eyed" Nathaniel Hawthorne, casting his curiously "happy ending" over "The House of the Seven Gables".