Cal shakes blog california shakespeare theater wb state electricity board bill pay

###########

“We are thrilled to have been selected for this significant and meaningful commission,” commented Cal Shakes Artistic Director Eric Ting. “Since the launch of Cal Shakes’ New Classics Initiative (NCI) with Marcus Gardley’s black odyssey in 2017, we’ve sought to elevate classic works through the voices of writers living and engaging with our contemporary moment. The Hewlett 50 affords us one of our first full commissions for a New Classic, allowing us the sort of timeline to build meaningful and deeply rooted engagement between our artists and the larger Bay Area.”

“I am deeply honored to receive this commission,” added playwright Marcus Gardley. “To have the opportunity to create another play with Cal Shakes and to tell another Bay Area Story is truly an incredible gift. I do not take it lightly. I am extremely grateful to have Hewlett’s support, and I look forward to sharing our next story with the community and the world beyond. Time to start writing!”

With A Thousand Ships, Gardley returns to a subject he first explored more than a decade ago in This World in a Woman’s Hands, the lives of the women like his two great-grandmothers who came to the Bay Area during World War II to work in the Richmond Shipyards. Eager to revisit these “Rosie the Riveters” and their stories, he plans to integrate their friendships, tragedies, loves and enduring spirit into a larger narrative of the region’s history, fused with Shakespeare’s Twelfth Night. A Thousand Ships will explore themes of migration, community, and the notion of making home and family among strangers in a new land. Along with choreography, media design and special effects, the music of the period such as Ella Fitzgerald, the Andrew Sisters, and blues and folk songs will be integral to evoking the world of the shipyards. The play will also spotlight the Bay Area’s role in gospel music. k gas constant The project reunites key artistic collaborators from both black odyssey and This World in a Woman’s Hands, Linda Tillery and Molly Holm, to create a vocal score that weaves this musical heritage into the story’s telling. A Thousand Ships is slated to premiere at Cal Shakes’ Bruns Amphitheater as part of the 2021 season.

As with previous NCI projects, Cal Shakes will provide opportunities for Bay Area residents, and in particular, Richmond residents, to engage with A Thousand Ships. Cal Shakes will host intergenerational Story Circles to bring community voices into the developmental orbit of the work at key points in its journey towards its world premiere. Story Circles will include women who worked in the shipyards, as well as their descendants, to help them connect to each other and connect their stories to the larger historical and social context. Additional programming includes residencies in schools and community settings, on-site audience enrichment programs, and Community Night previews. Cal Shakes also offer discounted tickets to community partners and subsidized ticket options for the general public as well as seniors, students, and teachers.

Exploring what it means to be a classical theater in the 21 st century, Cal Shakes’ New Classics Initiative engages living writers in dialogue with our classical canon to see old stories through new eyes, challenging, expanding, and revitalizing our very notions of universal. gas knife lamb Previous New Classics include black odyssey and Octavio Solis’ Quixote Nuevo (2018); upcoming projects include the world premiere of Madhuri Shekar’s House of Joy in 2019.

Launched in 2017 to celebrate the foundation’s 50th anniversary, the Hewlett 50 Arts Commissions is a five-year, $8 million initiative supporting the creation and premiere of 50 new works by world-class performing artists working in five disciplines. The largest commissioning initiative of its kind in the country, the program is a symbol of the Hewlett Foundation’s longstanding commitment to sustaining artistic expression and encouraging public engagement in the arts across diverse communities in the San Francisco Bay Area.

On October 21, The New York Times leaked a draft of a memo from the Department of Health and Human Services, which revealed the current administration’s intent to define gender as “a biological, immutable condition determined by genitalia at birth.” This proposed legal change denies the existence and experiences of trans, nonbinary and gender nonconforming people, and would roll back recognition, rights, and protections for these communities.

With the changes proposed in the memo, the role of gender identity would be lessened under Title IX anti-discrimination laws in favor of the limited definition. This would mean transgender people would not be able to dispute discrimination in terms of physical attack, housing, employment, education, or healthcare. Having to take invasive genetic tests to prove one’s sex with a DNA sample is a very real possibility and would be a violation of one’s personal rights.

Cal Shakes strives to be a theater where people of all gender identities and expressions are safe, supported, and welcome. Trans, intersex, nonbinary and gender-nonconforming people are members of our staff, audiences, community partners, student groups; they are our family, and deserve safety, respect, and self-determination. We stand unequivocally with them and we do not support any government policies that endanger their safety and agency. Trans rights are human rights. From the law to our offices to our amphitheater, our family #WontBeErased.

Byron Au Yong: My elementary school was inside a forest. Classmates and I made shelters from gigantic fallen tree boughs. electricity distribution costs The best part of the year was singing after a storm surrounded by the trees and structures we built. I read recently that when trees feel comfortable, they will comfort you. I know that when trees feel powerful, they impart power. Last June, I was back in the Pacific Northwest walking in an old-growth forest. gas density formula I asked the trees if they knew of other forests being clear cut, then burned. They said that their roots could feel the pain. They added that as we protect them, they protect us. My music connects with nature. It’s thrilling to work at Cal Shakes, where even the distant cows contribute their mooing to the performance.

BAY: The music for The War of the Roses is grounded in Viking aesthetics. Shakespeare was influenced by Old Norse culture. Check out Amleth, the precursor to Hamlet. gas up Moreover, Queen Margaret’s agency is similar to how Viking women held power, from managing their husbands to fighting in battles. Two contemporary musicians I adore include Norwegian metal folk composer/musician Einar Selvik and Faroese singer-songwriter Eivør Pálsdóttir. I was also influenced by 13th century French polyphony, known as the Ars Nova, and the neo-folk metal band Heilung from Denmark, Germany, and Norway. For this production, I got to work with actor/composer/musician Josh Pollack. Josh creates an astounding array of sounds using the electric guitar with effects pedals. These sounds range from low rumbles to whirring orbits to Viking metal riffs. Every project requires a tailored working process. Outside sources inform musical ideas and sketches. Rehearsals provide crucial time to determine which sonic moments become part of the show.

AM: Having students in the audience is a pretty awesome experience. The first time this happened was my first year at Skyline I performed in a play xtigone, by Nambi E. wd gaster theory Kelley, which was a hip hop adaptation of Antigone. I bussed the students over to the theater, and no one knew I was actually performing in the play. I came out on stage and I could hear students in the audience saying “Oh My God, Miss Awele‘s in the play! Miss Awele‘s in the play!” They were so excited. And this gave them the belief that they could be on stage too. They stayed for the talkback, and, because they’d studied the play, they were able to give wonderful jewels of feedback. I love to help my students get to performances, and sometimes this entails getting together $500-$700 to charter a bus or to purchase BART tickets for my students! But I think it’s so important for my students to go to the theater and see people who look like them and speak like them. This is a great gift that they get at Cal Shakes through its student matinee program that sponsors all my students. I will never forget when they saw Othello directed by Eric Ting. It was a transformative experience for them, and they received a stunning gift from Clive and his team of a pre-post show engagement with superb teaching artists.

AM: Before I knew the terms, “Dramaturg” and “Dramaturgy,” I had always been a dramaturg of sorts but just didn’t know it. I have always been a lay historian and a lover of it, because my father brought it into my life. I saw that history is not always accurate. gas vs electric oven cost I had my father, and other people in my life, who helped me to see that in studying history and challenging master narratives, we can be change agents in society. Being able to help students to see beyond and behind master narratives and to be able to do my research on this—what a gift. My research for my Master’s thesis was focused on Claudette Colvin and Mary Louise Smith—two young teens who were arrested before Rosa Parks’ case. There was already an ordinance in place that if there was a spare seat elsewhere in the bus, a person of color did not have to move. So in a sense the mythology behind Rosa Parks’ case presents an exhausted working woman who could barely stand on her feet, but behind this is a flagrant denial of an ordinance was a denial of a social movement of people, change agents who had been taking action against segregation, a system of structural racism, sanctioned by the government, and the mere fact that Ms. Parks very much like Fannie Lou Hamer, was sick and tired of being tired. These women spurred a boycott of the busses, many of them walking to work for 361 days to make the point and force the bus system to change the rules if they wanted to stay in business. So that was the issue that ignited my Master’s thesis and I made a performance piece about it.