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In early March, acclaimed queer singer/songwriter LP will be making gaz 67 dakar her Arizona debut in support of her recent 2018 album, Heart to Mouth. Armed with smooth pop riffs that highlight her controlled, raspy vocals, LP will be delivering an emotional, no-holds-barred set for Arizona fans who have yet to catch the blunt honesty of her lyrics in person.

Long-Island native Laura Pergolizzi, aka LP, first established herself as a featured guest on a bonus track from Cracker’s 1998 Gentleman’s Blues album before adopting her stage name and releasing her 2001 debut studio album, Heart Shaped Scar. In a career spotted with multiple songwriting contributions, LP has worked with the likes of former reality TV star Heidi Montag, Cher, The Veronicas, The Backstreet Boys, Hitomi, Rihanna, Christina gas in back symptoms Aguilera, and a varied list of interesting pop figures from now and yesteryear.

Heart to Mouth features the unapologetic Pergolizzi at her lyrical best. With tracks like “When I’m Over You” and “Recovery, her latest efforts deliver a perkily melancholic production style to her hard-hitting lyrics. LP continues her tradition of relatable-yet-masterful storytelling at the commercial height of a career with success long deserved. Logan Lowrey-Rasmussen

Best known as the rhythm guitarist for The Strokes, Albert Hammond Jr. has spent much of the last decade u gas station near me building his own brand. He’s toured the world several times, played international festivals, and released a handful of well-received albums. While he may never fully escape the confines of Strokes-dom (or even dare dream of it), Hammond’s output is the groundwork on which lasting careers are made.

Perhaps it’s telling that Hammond was among the first of his bandmates to so go solo. From note one, 2006’s Yours to Keep sets Hammond apart from his musical brethren with a decidedly lush sound, infusing the fresh influence of The Beach Boys and John Lennon to skirt away from electricity storage association that early Strokes swagger in favor of endearing, ‘70s-leaning pop (with plenty of kickin’ guitar solos packed in). Two years later, in 2008, Hammond returned with ¿Cómo Te Llama ? , which expanded his already eclectic approach to further solidify the idea of his viability as a true-blue solo star.

It’s that trajectory that makes Hammond’s fourth record, 2018’s Francis Trouble, all the more intriguing. The LP is named after his unborn twin, Francis, a personal discovery made right around the time he underwent therapeutic shadow work to address past traumas. Connecting those kindred emotional experiences, Hammond crafted an album contemplating that h gas l gas unterschied precarious ley-line between life and death. Chris Coplan

One of the most controversial, nontraditional, and high-profile groups in the greater metal scene, Deafheaven was recently nominated for a Grammy for Best Metal Performance for the song Honeycomb, from their 2018 record Ordinary Corrupt Human Love. It’s an unexpected honor for the group, who first gained attention for their 2013 record Sunbather and its 2015 followup New Bermuda. Both albums exhibit an intense mix of black metal vocals; shoegaze-influenced production; heavy, major-key guitar riffs; and intense, poetic lyrics that gained attention from mainstream music publications like Pitchfork and earned scorn from black metal traditionalists. Beyond awards or criticism, the music is simply devastating in its impact gas oil ratio units.

Deafheaven’s currently co-headlining a tour with Baroness, who are also Grammy-noted, having received their own Best Metal Performance nomination in 2017 for the song Shock Me. Purple in 2015 was the last album from the band, whose sound is constantly changing but is more traditionally geared toward heavy metal than Deafheaven’s. Douglas Markowitz

The last several years have been a whirlwind for British-born singer and multi-instrumentalist Jacob Collier. In 2011, he was 17 and making split-screen YouTube videos of himself playing a variety of different instruments while covering songs like Stevie Wonder’s “Don’t You Worry electricity deregulation wikipedia ’Bout a Thing.” But the Internet’s an amazing thing, and you never know who you’re reaching. In Collier’s case, one of those people was Quincy Frickin’ Jones.

Fast-forward eight years, and Collier, now 24, has signed to Jones’s management company, and things are moving along quite nicely. He’s released a pair of albums, 2016’s In My Room and last year’s Djesse (Vol. 1), won a pair of Grammy Awards, and has performed around the world using q gases componen el aire a unique, one-man audio-visual setup that was custom built for him by MIT.

“As a member of a generation who have been subjected to much over-stimulation, it’s hard to say I fit into any one category,” Collier says. “In some ways, jazz is the broadest umbrella of them all, because it involves different parts of different genres. It’s really hard to say that there’s no folk, no classical or no electronic music. It’s all about balancing out those different sounds. I’m one of those people that’s listened to so much music, I feel like I’ve soaked it all and not rejected anything, so it’s all present there when I’m in my inventing room.” Brett gas cap light Callwood

Most bands’ goals are fairly straightforward. You want to make plenty of good songs, hope that audiences respond to them in a positive manner, and then have faith that enough folks show up when you take those songs out on the road. The four members of folk-rock quartet River Whyless have made one of the year’s most critically lauded albums and are learning that folks do, in fact, show up when the tunes resonate.

“We see some people in the crowd that we recognize, but we’re certainly seeing a lot of new faces, too, which is really great. Sometimes I think, ‘Well electricity questions grade 9, how the hell did you get here?’” singer and guitarist Ryan O’Keeffe says. “I’ll ask people where they’ve heard of us because I’m genuinely curious, whether it’s our social media, our publicity folks, or it’s random pickups by NPR, which is probably the biggest. We were lucky enough to get in on that world, and the word spread to the outlets across the country.”

It also helps that the band’s most recent album, 2018’s Kindness, A Rebel, won over electricity merit badge worksheet many fans, including several top critics. An NPR scribe wrote lavish praise for the 11 eclectically arranged tracks and has consistently championed the band’s releases over the past several years. You might join them after attending the River Whyless’ show on March 17 at the MIM. Jeff Strowe