From foster care to visionary theater director, nsu’s anthony stockard is giving the program new shape theater electricity off


Stockard, an Ohio native, is 37, single and has no children. This allows much of his days and nights to be spent nurturing theater hopefuls at NSU. His aim has been to bring a much-needed focus to the department. So far, he has expanded its reach beyond campus, forging alliances with other arts institutions in Hampton Roads to diversify the area’s theater scene electricity physics khan academy.

Last spring, the theater department won two national awards from the Kennedy Center American College Theater Festival for its production of “The Brothers Size,” a drama set in the Louisiana bayou that explores West African mythology. Some of Stockard’s productions carry a glossy urban-pop appeal – tributes to Whitney Houston and Luther Vandross, for instance. Others are perennial favorites on the black theater circuit like hair electricity song “A Raisin in the Sun” and “The Wiz.” The latter, a co-production with Virginia Stage Company, drew a mixed, packed audience to the Wells Theatre in downtown Norfolk in April.

Stockard’s life, a charmed one for the first 12 years before his father died suddenly, has prepared him to take on responsibilities that could easily overwhelm others gas ninjas. A life of shuffling in and out of foster homes, a time when he largely depended on the kindness of strangers, informs his dedication to the theater and to the students who enter his program with stars in their eyes.

When Stockard took the position gas efficient suv 2008, NSU’s theater department had seven students, English majors with a concentration in theater performance. That since has grown to 55 students. A friend had told Stockard about the position at NSU in the spring of 2014, when he was in Washington D.C., attending a theater competition at the Kennedy Center with students from Alabama State. Stockard had been at his alma mater for five years, but he was so intrigued by the NSU prospect that he drove to Norfolk during his time in D.C. and met with the associate dean of the liberal arts college.

His first production was a tribute to Whitney Houston, a show t gasthuys staged barely two years after the pop superstar’s death. It packed Brown Memorial Hall during its initial four-night run. The other shows during Stockard’s first season were “A Raisin in the Sun,” “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf” and “Dreamgirls.” Each show drew capacity crowds.

“He really was particular and very detailed in showing us how to reach gas prices going up as close to perfection as we could get,” says Jones, a graduate student at Temple University studying for a master of fine arts degree in acting. “He had that passion to help us beyond what we already knew. I wasn’t even thinking about going to graduate school for theater before he mentioned it. Listening to him, things just started electricity generation in california happening that were very helpful.”

One of Stockard’s current students, Lance Hawkins, was a standout as Pharus Young, the effeminate, self-righteous main character at a prestigious all-male boarding school in “Choir Boy.” Hawkins’ assured performance in the musical drama, which grazes the complications between religion and homosexuality, was a journey in discipline for the 21-year-old Ohio native.

“After some long talks with Professor Stockard about who Pharus is and how he relates to the other characters, I began to explore finer details about the character,” says Hawkins, a junior. “Eventually I went back and did things, like, looked gas variables pogil extension questions up his name and what it meant, wrote out adjectives I thought best described the character, and I tried my best to build the character from there.”

“The biggest box to crack open, particularly with the guys, is emotional accessibility,” Stockard says. “We’re always taught don’t cry, don’t be emotional. So they come in with 18, 19 years of denying themselves the ability to function as a human being m power electricity the way we were designed to. And then you have to reverse that. You have to give them space to breathe a little bit, and that’s a big deal for students. I had a lot of students just break down.”

Then when Stockard was 12, his father died from a stroke. In an instant the family’s anchor was gone, which sent Stockard’s mother into a downward spiral. She eventually was declared unfit to keep her three children after she’d abandoned them electricity in human body wiki at home with no food or electricity. Stockard and his siblings bounced around to relatives before splitting in foster care.

“What electricity per kwh I learned the most going through that time is in, I believe, a Chinese proverb that says, ‘Be kind to everyone. Everyone’s going through something unbeknownst to you,’ ” Stockard says. “Being in foster care has had a huge effect on my persona in general. People who didn’t know who I was opened their doors and said, ‘There’s a place for you.’ ”

By the time Stockard had been emancipated from foster care at age 18, he’d received a band scholarship to attend Central State University in Ohio. He transferred to Alabama State during his sophomore year, following his band instructor who had taken a position there. He was informally adopted by the family of one his electricity review worksheet answers bandmates, local business owners with whom he lived during holiday and summer breaks. The family gave him an allowance and treated him like one of its own. Stockard still visits gas stoichiometry problems them.

“I am fully aware that I would not be doing what I’m doing if many people, far beyond what is normal, hadn’t been there, giving me a bed to sleep on, putting food in my mouth, believing in me,” Stockard says. “I was that kid who thought my conditions were permanent and binding, that you couldn’t transform yourself. There were people there who made me believe in myself. They always pushed me and encouraged me.”