Glass hackaday electricity names superheroes

That DIY glassmaking remains a largely untapped vein is not surprising given what [Ben] learned over the last months of experimenting. With searing temperatures bordering on the unobtainable, volatile ingredients that evaporate before they can be incorporated, and a final product so reactive that a platinum crucible is the best vessel for the job, glassmaking is not easy, to say the least. Glassmaking doesn’t scale down from an industrial process very well, it seems. Nonetheless, [Ben] came up with a process that could be replicated using common enough ingredients and a simple electric kiln modded with a PID controller for pinpoint temperature setting. And while Luxottica has nothing to worry about yet, he did manage to get some clearly if subtly photochromic samples, despite the challenges.

Without a doubt, [Ben] crossed over into “mad scientist” territory a while back, and we think it’s great. What other way is there to describe a guy who has an electron microscope, a high-power ruby laser, a CT scanner, and a cookie making robot in his basement? Whatever you call it, we like the results.

3D printing is one of the best things that has happened to the maker community in recent years, however the resulting output has always been prone to damage when used in high temperature applications or places where the part may be exposed to corrosive chemicals. In a recent paper titled “ Three-dimensional printing of transparent fused silica glass“, [Kolz, F et. al.] have proposed a method which uses stereolithography printers to create glass objects that can be used in research applications where plastic just won’t cut it.

When we say stereolithography you probably think of resin printing, but it refers to the general use of light beams to chain molecules together to form a solid polymer. The researchers here use amorphous silica nanoparticles as a starting point that is later cured by UV light creating a polymerized composite. This structure is then exposed to high temperatures of 1300 °C resulting in models consisting of pure fused silica glass. This means that the part has excellent thermal and chemical properties, and is also optically compatible with research grade equipment.

Flying is an energy-intensive activity. The birds and the bees don’t hover around incessantly like your little sister’s quadcopter. They flit to and fro, perching on branches and leaves while they plan their next move. Sure, a quadcopter can land on the ground, but then it has to spend more energy getting back to altitude. Researchers at Harvard decided to try to develop flying robots that can perch on various surfaces like insects can.

Perching on surfaces happens electrostatically. The team used an electrode patch with a foam mounting to the robot. This allows the patch to make contact with surfaces easily even if the approach is a few degrees off. This is particularly important for a tiny robot that is easily affected by even the slightest air draft. The robots were designed to be as light as possible — just 84mg — as the electrostatic force is not particularly strong.

It’s estimated that perching electrostatically for a robot of this size uses approximately 1000 times less power than during flight. This would be of great use for surveillance robots that could take up a vantage point at altitude without having to continually expend a great deal of energy to stay airborne. The abstract of the research paper notes that this method of perching was successful on wood, glass, and a leaf. It appears testing was done with tethers; it would be interesting to see if this technique would be powerful enough for a robot that carries its own power source. Makes us wonder if we ever ended up with tiny flyers that recharge from power lines?

Biochemistry texts are loaded with images of the proteins, nucleic acids, and other biopolymers that make up life. Depictions of the 3D structure of macromolecules based on crystallography and models of their most favorable thermodynamic conformations are important tools. And some are just plain beautiful, which is why artist [Mike Tyka] has taken to using lost-PLA casting to create sculptures of macromolecules from bronze, copper, and glass.

We normally don’t cover strictly artistic projects here at Hackaday, although we do make exceptions, such as when the art makes a commentary on technology’s place in society. In [Mike]’s case, not only is his art beautiful and dripping with nerd street cred, but his techniques can be translated to other less artsy projects.

For “Tears”, his sculpture of the enzyme lysozyme shown in the banner image, [Mike] started with crystallographic data that pinpoints every peptide residue in the protein. A model is created for the 3D printer, with careful attention paid to how the finished print can be split apart to allow casting. Clear PLA filament is used for the positive because it burns out of the mold better than colored plastic. The prints are solvent smoothed, sprues and air vents added, and the positive is coated with a plaster mix appropriate for the sculpture medium before the plastic is melted out and the mold is ready for casting.

[Mike]’s sculpture page is well worth a look even if you have no interest in macromolecules or casting techniques. And if you ever think you’ll want to start lost-PLA casting, be sure to look over his build logs for plenty of tips and tricks. “Tears” is executed in bronze and glass, and [Mike]’s description is full of advice on how to handle casting such vastly different media.