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Are you an ADVENTUROUS singer? Or, do you stick to what you’re already good at? It’s certainly important to know what styles suit your voice. However, it’s also important to step outside the box. After all, how can we realize the amazing possibilities of our voices without taking some risks? Start stretching your musical ears and tastes by finding a few songs that aren’t in your typical style. Even if they are not "your thing", try to truly COMMIT to them. You may not end up ever performing, recording, or auditioning with these songs, but your skills as an artist will be stretched and developed. Open your ears and soul to the ADVENTURE of working on styles that are outside of your everyday vocal life!

True or False: Singer’s should sing with TENSION. electricity kwh to unit converter Before you answer – consider what Tension is. Tension is the state of being stretched to tautness. It’s the stress from elongation of an elastic band. It’s the amount of energy needed to create potential. Sound familiar? As we sing, we stretch and tense our vocal folds in opposition to the flow of breath. So, it’s TRUE! We need Tension to sing! Without Tension we couldn’t even breathe! Anytime your lower abdominal muscles contract to expel air, you’re creating helpful Tension in the body. Of course we want to avoid unhelpful Tensions in the neck, larynx, and jaw. But, being a relaxed singer doesn’t mean being a FLACCID singer. Seek after a flexible, buoyant, energetic, and dynamic vocal TENSION!

Let your Vocal Registers be DIFFERENT! We often focus so hard on blending our Vocal Registration so that it’s smooth, even, and consistent. This is positive, of course, but sometimes it slows our progress. It’s actually important FIRST to allow the differences between two vocal registers to be very obvious and distinct. Not only is this often stylistically desirable, but it has technical benefits as well. a gas is a form of matter that Smoother transitions often come by EMBRACING the shift between registers. The first step is to become comfortable with the fact that your voice really IS making a change. If your Chest Voice is strong and your Head Voice is weak at first, then that’s okay. Only by practicing BOTH of those registers will you be able to go smoothly between them. So, embrace the difference now and you’ll start to see a difference later!

Are you struggling with notes that feel BIG, heavy, or difficult? Try focusing on AGILITY instead! Agility promotes vocal flexibility and helps take unwanted weight out of your high notes. Start by doing some quick vocal exercises on a lip or tongue trill near the note you are struggling with. Or, take any exercise you are working on and do it twice as fast and also twice in a row. Don’t go faster than you feel comfortable with, but see how fast you can flow through the phrase. electricity physics khan academy Let the notes fly smoothly from one to the other with no hesitation. Sometimes we get stuck working too hard for notes that seem scary. Moving faster around them makes them feel freer and lighter when we come back to them in a more full manner. So, if you’re struggling to be BIG, try being AGILE instead!

Singing with ACCOMPANIMENT can be tricky for some singers. If you struggle with Rhythms, make sure to listen for the DOWNBEAT in the Accompaniment. That’s the first strong beat of the measure. Look at your music to see which words fall on this strong beat to guide you. If you struggle with Pitch, there are often clues in the Accompaniment. See if you can locate your Pitch somewhere in the Accompaniment before you sing. Often the piano or another instrument will "double" your melody. This can be very helpful for staying in tune. Mostly, though, remember the Accompanist should follow YOU. You shouldn’t follow the Accompanist. gas vs electric water heater cost per year Knowing these truths will help you sing with more confidence and not second-guess yourself as a musician!

Understanding the intricate functions of the Larynx can be so intellectual that it makes you YAWN. Still, it’s not so difficult that you can’t SWALLOW it. Because that’s really all there is to it! It’s as easy as a SWALLOW and a YAWN! Every day we do these two tasks without thinking. When we swallow, the Larynx lifts to its highest position. When we yawn, the Larynx drops to its lowest position. electricity receiver When we sing, we ultimately want to find a balance between these positions. As you’re practicing, occasionally check in with your Larynx and even place a finger on it. Is it moving as high as when you swallow? Is it being shoved down to the place where you yawn? If so, you’re probably straining or depressing too much. So, there’s no need to YAWN when it comes to understanding your Larynx. Laryngeal-mastery is something that any serious singer can SWALLOW!

What is your Vocal DEFAULT Setting? There are constantly new musical trends and styles emerging that require singers to ADAPT. Adaptability requires a balanced, reliable, and healthy "Vocal Default Setting". For example, if we always sing too loudly, then it’s hard to move gracefully to softer sounds. Or, if we always sing too softly, then it’s difficult to find the power we need. Ideally, our Default Setting is a moderate volume that allows us to sing comfortably and also transition into softest and loudest extremes. Optimal Default Settings aren’t just about volume though. You’ll also want a neutral larynx, vocal registration that’s not too heady or too chesty, and tone that’s not too bright or dark. By spending some time building a Vocal Default Setting that lives in the middle, you’ll have the easiest time accessing the full spectrum of what your voice can do!

Try a phrase used for Speech Coaching: "I ate an apple in an igloo." Separate the words as you speak and put your fingers against your larynx. Feel how the air and vibrations stop and start between each word? This is a common occurrence with sounds that begin with vowels. ideal gas questions They often cause GLOTTALS – which are abrupt vocal cord closings. While Glottals can be effective in singing when they’re controlled, in SPEAKING you may want to limit how often they occur. Try linking each word to it’s preceding word just like you would when singing a legato phrase. "Iyadeanapplinanigloo." Unless you want to emphasize a particular word, you can always elide words together. This allows continuity of breath – making your speaking voice sound and feel calmer and healthier.

Great vocal technique is often about taking things APART more than putting them together. When we make a "yawny" sound, typically the back of the tongue lowers, the larynx lowers, and the soft palate ascends. When we make an especially "nasal" sound, the back of the tongue goes higher, the larynx rises, and the soft palate lowers. These relationships tend to feel natural. BUT! With a bit of coordination, we can combine elements of both! For example, try lowering your larynx and lifting your soft palate, but with the back of your staying tongue high. Or, try letting your larynx and tongue rise, but without letting the sound enter the nasal cavity. Modifying one or two elements of what feels natural can result in new resonances that your voice needs. power outage houston reliant The more you can DISSOCIATE the elements of vocal anatomy, the more possibilities your voice will have!

It’s time for your Alignment CHECKLIST! Follow these 5 Steps to great posture and alignment for your singing. FIRST – distribute your weight evenly between both feet on the floor. SECOND – lengthen your spine and your neck. THIRD – allow your shoulders to fall away from your ears. FOURTH – slightly tilt your tailbone and widen your lower back. FIFTH – inhale and expand your ribcage and low abdomen. By going through this simple and easy Checklist before you practice or perform, you will always be able to guarantee that your body is in it’s optimal position. Great alignment? CHECK!