How to choose a musical instrument to play as an adult orlando electricity providers


• How easy will it be to find a teacher? You shouldn’t have too hard of a time finding a cello instructor within a few miles of any small city anywhere you live. If you want to play the Cajun-style diatonic accordion, your options will be slightly more limited. That doesn’t mean it’s impossible to learn a rare instrument, just be ready to look harder and spend more to find a teacher, and bear in mind that you may have to travel quite some distance for in-person lessons. Some instrument teachers will teach remotely, via Skype or another application, but that lesson style may or may not work for you.

• What kind of time do you want to put into the instrument? All instruments will require an enormous time investment if you want to become a really excellent player, but for less time, you can become a pretty good or adequate player, depending on what you’re looking for. Unless you’re ready to invest serious hours, don’t fuss with something like the kora — perhaps choosing something like simple rhythm guitar is best for you. If you really want to make music but have very little time to invest in practicing, a simple rhythm instrument, like djembe, is a great choice.

• What are your physical limitations? If you can’t hoist something heavy, don’t try to play upright bass. If you don’t have great lung capacity, think twice about the saxophone. Trick elbow? trombone may not be so easy. Certainly, if you’ve got the will to play something that will be physically difficult for you, you can surpass just about anything, but be ready for a bit of adversity.

• Do you want to play and sing at the same time? If you really want to accompany yourself singing, especially if you want to do it solo, you might consider going with one of the two classics: piano or guitar. Sure, plenty of great musicians have accompanied themselves on other instruments, but piano and guitar can both provide a fullness and range of sound that, solo, accompany a human voice well. It’s no accident that they’re the most popular accompanying instruments for singers.

• Do you want to learn to read music? If you want to play Western classical music, you’ll need to learn to read music, specifically on whichever clef accompanies your instrument. Jazz players generally need to learn to read music, as well, though it can look a bit different than classical sheet music, and some international music traditions have various styles of written music and charts as well. If you’re looking to avoid reading music and play simply by ear, most genres of folk music around the world don’t require any written notation.

• Do you want to be the leader of the band? If you’re looking to play small-ensemble music, be it classic rock or reggae or any number of other genres, where do you envision yourself fitting in? If you want to be out front, pick the instrument that takes the most solos and plays the melody within your chosen genre. If you’d rather be an unsung hero, go for something in the rhythm section.

• Are there folks around to play with? Certain types of music (and the instruments that they’re played on) really are best-suited to social players, and you’ll have a hard time keeping it up if you never have a chance to pick a tune with others. Irish music and old-time music, for example, are really best-enjoyed session-style, so unless you want to be doomed to a life of solo banjo pickin’ or bodhran beatin’, consider whether or not you’ve got some people around to practice with, or if you’re willing to seek them out during travels.

• It’ll be awhile before you’re any good. Have reasonable expectations for yourself, and remember that the learning curve for different instruments is shaped differently. Reaching the point at which you can strum a simple set of chords on a ukulele will take less time than playing a simple melody on the violin. Don’t let it discourage you if it takes awhile, no matter what instrument you’re on.

• Don’t believe the hype that learning an instrument is much easier for a child than it is for an adult. Sure, kids have some brain plasticity that lets them build neural pathways more easily than we grown folks can, but we’ve got a few things on them: we’re better at practicing, we’ve (theoretically) learned how to manage our time, we take things seriously (especially when a big financial commitment is involved), and we are more likely to really love the instrument we’ve chosen. Hard work is no joke — it really does pay off.