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IDW’s flagship storyline was, for thirteen years, a a rebooted continuity, which started out in 2005 being written by longtime Transformers scribe Simon Furman and told through a succession of mini-series and one-shot electricity cost in california Spotlights, before finally producing a monthly comic in 2009. IDW has also been authorized to re-release trade paperbacks published by Dreamwave Productions, such as the War and Peace mini-series and The War Within and War Within: The Dark Ages. In May 2008, IDW’s relationship with Hasbro proved to be quite healthy indeed as they snapped up the G.I. Joe comic book license as well, and in 2010 obtained the license to Dungeons Dragons. Then in 2012 they started publishing My Little Pony: Friendship is Magic comics. Hasbro definitely seems to like them.

Phase Three of the Aligned continuity was going to be IDW doing comics with Aligned backstories instead of the established ones. Hasbro first proposed a New 52 reboot event (uh oh)… and then instead agreed that IDW had put five years of work in, upcoming plans would have to be cancelled, and it’d be too confusing for readers to do another reboot, so they let IDW carry on. Hasbro definitely seems to like them gas stoichiometry lab. [1]

In 2016, IDW and Hasbro decided to create a shared universe for many of its properties. The Revolution event merged the Transformer books with the recently acquired ROM, Micronauts, Action Man, M.A.S.K. and currently-running G.I. Joe. This met with tenuous levels of success, and all of the non-Transformers titles were consolidated and relaunched after 2017’s First Strike crossover event, which led into a Visionaries miniseries. For various reasons, IDW and Hasbro decided the Transformers universe needed a complete reboot and in 2018, a Transformers: Unicron crossover concluded the long-running Transformers series before beginning a full continuity reboot in 2019.

Initial ideas for IDW’s Transformer line included a Crisis on Infinite Earths-style story crossing over with the new Cybertron toyline, starting ongoings in both G1 and Cybertron continuity. The G1 cast would suffer Cybertron’s destruction and learn Unicron’s death had destabilized the entire omniverse, forcing them to try and assemble an artifact called the Decepticon Matrix in order to resurrect Unicron. This would parallel with the Cybertron plot, in which electricity physics the Autobots seek out the Cyber Planet Keys to revive Primus, and Vector Prime would have appeared as a guide in both series. It seems that series would then have come together with the concurrent Cybertron comic as Transformers from across the multiverse were brought electricity manipulation together for a final, epic clash. [2]

This was considered too confusing for new readers, however, and dropped for a hard continuity reboot, based on the Generation 1 characters. Furman mostly oversaw this, creating a more sophisticated universe around the familiar characters and tropes: Marvel Comics’ Ultimate line was the inspiration, and Furman deliberately borrowed the more leisurely pacing of Ultimate Marvel. [3]

Instead of an ongoing civil war on Cybertron which spills over to Earth by accident, Furman presented us with an interstellar war between the Autobots and Decepticons, a war with a Code of Interplanetary Conflict and alt-form-and-dagger covert operations, with energon the prize and whole planets at stake. A surprising development on Earth heats up the war and turns our planet from just another proxy battleground into the ultimate prize.

This slow, measured storyline was eventually abandoned in an attempt to bring in more casual fans with a more G1 cartoon-inspired revamp in All Hail Megatron. This failed to have the desired effect both in terms of sales and fan-response, so another revamp was attempted with the start of The Transformers ongoing series. It was met with sharp fan criticism as well.

Yet another revamp was attempted with two concurrent ongoing series, More Than Meets The Eye and Robots In Disguise beginning in 2012, later dubbed Phase 2. Positive fan response came at last, and electricity and circuits class 6 the writers of those books ( James Roberts and John Barber) would continue to be the main writers of the universe until its conclusion in late 2018.

A series of one-shot stories focusing on a single Transformer per issue; this series has no fixed publication format, and often jumps around in the universe’s chronology. It went on a hiatus after Spotlight: Metroplex gas oil ratio for weed eater while the new ongoing series was getting established, returned with a tie-in to the Generations toyline with several issues packed in with (usually) relevant toys, but petered out shortly after the toyline’s format shift.

A collaboration between Marvel Comics and IDW featuring the first ever crossover between the Transformers and New Avengers. Though it has minimal effects on the overall universe, it was specifically designed to fit into continuity between Infiltration and Escalation. This series has been effectively rendered non-canon for both IDW and Marvel… or at least yeah we don’t talk about that territory.

A twelve-issue maxi-series, extended to sixteen to include the All Hail Megatron Coda series. Intended to be a soft reboot of the series, it chronicles the aftermath of the defeat of the Autobots and the Decepticon conquest of Earth. The publication schedule overlaps with Revelation and Maximum Dinobots. Issues 13–16 each consist of two 11-page stories that help strengthen the flaws in All Hail Megatron and tie into the ongoing series.

A two-issue story set within the larger Infestation series que gases componen el aire y su porcentaje, a large-scale cross-over in which cross-dimensional zombies invade the universes of Transformers, Star Trek, G.I. Joe and Ghostbusters. The Transformers segment involves the Autobots teaming up with Galvatron’s crew to stop the menace. Written by Dan Abnett and electricity 2pm mp3 Andy Lanning, with art by Nick Roche and colors by Joana Lafuente and Josh Perez. The entire series was released weekly over 10 weeks.

Bumblebee, Starscream, and Metalhawk attempt to forge a government and maintain control on the revitalized Cybertron, while personal mistrusts, old grudges, and new problems seek to shatter the fragile peace. This title was renamed to The Transformers vol. 2 at issue #35 to avoid confusion with the new Robots In Disguise toy-and-TV-show franchise, which included an IDW tie-in comic. Ended at issue #57 and rebranded as Optimus Prime. Written by John Barber, with art by Andrew Griffith.

A five-issue miniseries with associated one-shots and setups across several books, setting up the massive cross-property shared universe that will be the setting for the Transformers books from here til the end. Hasbro’s greatest heroes and gas in babies villains collide in a battle for Earth’s Ore-13. Written by John Barber and Cullen Bunn, and drawn by Fico Ossio.

Evolutions was originally intended to be a series of Elseworlds-like stories that existed in their own separate continuities, each taking different takes on Transformers. Only one miniseries – Hearts of Steel – was ever produced; reportedly, Hasbro asked IDW to hold back on Evolutions as to not confuse customers looking for merchandise based on the live action films. [ citation needed] Chris Ryall stated that the subsequent focus on Movie and Animated meant that it was unlikely that Evolutions would continue further, [4] though various comic stories over the years have sporadically revisited the Hearts of Steel universe.