Konica – camera-wiki.org – the free camera encyclopedia done with electricity tattoo book

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The company originated as a drugstore called Konishi-ya Rokubei Ten (小西屋六兵衞店), operated by Sugiura Rokuemon V (5代杉浦六衞門). [1] His son Sugiura Rokusaburō (杉浦六三郎) entered the company and expanded its activities by selling photographic products beginning in 1873. [2] Sugiura Rokusaburō took the name of Sugiura Rokuemon VI (6代杉浦六衞門) in 1879, and the company was subsequently renamed Honten Konishi Rokuemon (本店小西六右衞門), abridged gas giants as Konishi Honten (小西本店). [3] Early cameras were produced by artisan subcontractors, such as Hasegawa Toshinosuke (長谷川利之助) and Tōjō Kamejirō (東条亀次郎). [4] The company founded a manufacturing branch called Rokuoh-sha (六桜社) in 1902, and released the Cherry in 1903, the first Japanese camera to have a brand name. [5] The factory of Hasegawa Toshinosuke became the wood workshop of Rokuoh-sha in 1906. Most of the camera production was still assumed by other subcontractors, many of which were merged into Rokuoh-sha in 1919. [6]

The company became G.K. Konishiroku Honten ( 合資会社小西六本店) in 1921. The character roku (六) is a double allusion to Sugiura Rokuemon VI: it means six and is the first character of Rokuemon. The logo of the company shows this character inside a cherry blossom. Konishiroku founded the Konishi College of Photography (小西写真専門学校) in Tokyo in 1923. [7] It introduced the Pearlette in 1925, which would be the first mass-produced Japanese camera, under the supervision of Yamada Kōgorō (山田幸五郎). [8] In 1929, it launched the Sakura rollfilm, the second rollfilm brand in Japan. [9] In 1931, it released the first Japanese camera lens commercially available, called Hexar; this name was again formed youtube gas pedal dance after the number six.

The company changed status again in 1936 and became K.K. Konishiroku (㈱小西六). The cameras and lenses were still marked as made by the manufacturing branch Rokuoh-sha. In April 1943, the retail and wholesale activities were stopped [10] and the company was reorganized as Konishiroku Shashin Kōgyō K.K. (小西六写真工業㈱), based in Yodobashi, Tokyo; [11] the name Rokuoh-sha was abandoned around that time. The company name was translated after the war as Konishiroku Photo Industry Co., Ltd.

In August 1960, Konishiroku bought all the shares of Taisei Kōki, a minor camera electricity 2pm maker in Itabashi, Tokyo. [13] This moved to Tsuru, in the prefecture of Yamanashi, in 1968, and became K.K. Yamanashi Konica (㈱山梨コニカ) in 1972, then K.K. Konica Denshi (㈱コニカ電子, Konica Electronics) in 1983, and is today Konica Minolta Electronics Co., Ltd. [13]

Konica commenced manufacturing single-use cameras in 1987. As a major film manufacturer, Konica, like Agfa and Kodak, had to include disposable cameras in its range after Fuji had pioneered the concept in 1986. Over time, Konica developed a number of specialised disposables not offered by other manufacturers, notably the Waiwai / Superwide with 17mm lens and mirror on the front.

Konishiroku made a prototype interchangeable lens electricity recruitment 2015 35mm film rangefinder camera in the early 1960s — the Konica FR that utilized the Leica screw mount. However, that camera was never put into production. It wasn’t until many years later with the Konica Hexar RF that they produced their own interchangeable lens rangefinder camera, this time using Leica M-Bayonet mount. The Hexar RF variants remain the only interchangeable lens rangefinder camera Konica/Konishiroku ever put into full production.

However, Konishiroku earlier produced a small range of standard lenses in Leica screw mount in the mid-1950s. Some manufacturers of Leica copies offered these lenses as original equipment fitted to their cameras, and others offered them optionally. In the 1990s, the Konica company also made a few lenses in Leica screw mount before the introduction of the Hexar RF.

Note gas city indiana zip code 1: Konica 35mm SLRs were designed with a shorter than usual lens to film register, which means the distance from the lens mount to the film plane is less than most other SLR cameras. This allowed a great many other manufacturers’ lenses to be easily adapted without the need for additional optical elements. The shallow register allows room for an adapter to be fitted. It is believed that this design feature 9game was deliberate.

Unfortunately, it also means that Konica lenses are not easily adapted to other cameras. Their design generally means that to fit other manufacturers’ cameras with full functionality any adapter would require additional, corrective optics. Few such adapters are known to have been made. Lower quality optics in any adapter will compromise image quality, while higher quality optics generally make an adapter costly.

Note 2: The Nikon F mount lens to Konica Bayonet Mount II (K/AR) adapter was and is the most sought after and priciest of the Konishiroku-made adapters. This was and perhaps still is because when Nikon introduced their PC (Perspective Control) Nikkor lenses it was found that none of the Nikon cameras could meter accurately through the lens (TTL) while the lens was shifted. It was necessary to re-center the lens, meter, then reset the shift. Someone discovered that – via the Nikon-Konica adapter – Konica camera bodies metered accurately with the lens shifted. News spread quickly and many Nikon users in the 1970s who wanted to use the PC lenses also kept a Konica T2 or T3 camera body on hand for just this reason. Even thirty plus years later this particular adapter often still sells for 5 or 10 times electricity bill cost per unit what the others do.

• Kokusan shashinki no genjōchōsa (国産写真機ノ現状調査, Inquiry into Japanese cameras), listing Japanese camera production as of April 1943. Reproduced in Supuringu kamera de ikou: Zen 69 kishu no shōkai to tsukaikata (スプリングカメラでいこう: 全69機種の紹介と使い方, Let’s try spring cameras: Presentation and use of 69 machines). Tokyo: Shashinkogyo Syuppan-sha, 2004. ISBN 4-87956-072-3. Pp.180–7.

• Sakai Shūichi (酒井修一). ‘Anbako’ kara ‘ōtofōkasu’ he: kamera no hensen to tomo ni ayunda 114-nen (「暗函」から「オートフォーカス」へ・カメラの変遷と共に歩んだ114年, From ‘camera obscura’ to ‘autofocus’: 114 years of camera evolution). Kamera Rebyū: Kurashikku Kamera Senka (カメラレビュー クラシックカメラ専科) / Camera Review: All about Historical Cameras no.10, September 1987. No ISBN number. Konishiroku kamera no rekishi (小西六カメラの歴史, special issue on Konishiroku). Pp.8–13.

• Shibano Daisuke (柴野大輔). Konishiroku seishiki tenmei-shamei no hensen ichiran-hyō (小西六正式店名・社名の変遷一覧表, Evolution of the Konishiroku official company name). Kamera Rebyū: Kurashikku Kamera Senka (カメラレビュー クラシックカメラ専科) / Camera Review gas prices: All about Historical Cameras no.10, September 1987. No ISBN number. Konishiroku kamera no rekishi (小西六カメラの歴史, special issue on Konishiroku). Pp.90–1.