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This Collings Guitars – OM2H Traditional T Series is one of our first OMs to feature the new 1 11/16th traditional neck. An extremely comfortable profile, this slightly tighter string spacing is reminiscent of vintage guitars of the late ’30s, and is especially handy for folks that switch between electric and acoustic guitars. gas 93 Featuring a Adirondack Spruce top with really beautiful straight grain East Indian Rosewood back and sides, this lightweight build is focused, with an even responsiveness that can handle subtle fingerpicking up through aggressive flatpack jams. The extra headroom from the Adi top makes this the sort of OM that can compete with louder, larger guitars like a dreadnought. This OM2H also takes a capo really well, delivering that same dynamic tone all the way up and down the neck.

The Traditional Series is marked by a return to just that, traditional building techniques and materials combined with the Collings exquisite attention to detail. This new series is highlighted by traditional style bracing and tone woods which are adjusted, weighed and voiced to produce particularly warm, rounded highs while maintaining a full, rich low end. The extra thin Nitrocellulose lacquer finish, applied without a polyvinyl sealer, makes for a lively, expressive top that has the feel of a vintage guitar. The Traditional Series tone is further enhanced by the use of Animal Protein glue, which can dry harder making every joint of this OM2H A that much more resonate and powerful.

About us: For over 30 years, Mass Street Music has been proudly selling, buying and trading the best vintage, new and used guitars, amps, mandolins and more right in the heart of Lawrence, Kansas – just a short drive from Kansas City and Topeka. gas key staking tool We also ship globally, bringing the best hometown guitar service & selection right to your door. We’re known for exceptional quality, value and outstanding personal service. A set up from one of our luthiers is always included with a new instrument. Welcome to Mass Street Music… sit back, grab a cup of coffee and browse a while.

Up for sale is my 2016 Martin D-28 Custom Shop in excellent condition, and very clean with a high grade Adirondack spruce top and beautiful Madagascar rosewood back & sides (pretty color/nice grain/good figure), original hard shell case included. I bought this fine Martin from John Garon at My Favorite Guitars in Florida. This is an even-voiced, rich-sounding, strong Martin D28. It has a strong bottom end, but because of the rear scalloped bracing, the bass does not overcome the mids and trebles. It has the 1 3/4” width nut with a modified low oval which is not too thin or too beefy", just right for medium or large hands. The Adirondack top is wide grained and has a bit of bear-claw figure in a few places. la gasolina lyrics translation The frets show no noticeable wear and it is set up with medium gauge strings/bluegrass action. The only change I have made to this guitar is that I had a metal strap pin professionally installed in the neck. If you have more questions, I will answer them to the best of my ability. I will send more photos per request and will record an mp3 to send to you.

I have to face the fact that full-sized dreadnoughts are just too large for me and I prefer a smaller profile neck because I have very small hands. I will ship to you for $3,400 plus the actual cost of shipping and insurance in the “lower 48.” I will give a 48 hr. approval time, but require buyer to pay return shipping. Thank you for looking.

This instrument is a unique example of the Gibson Roy Smeck Radio Grande 7-String flat-top Hawaiian guitar, with a possible provenance directly to the artist. It has been in the possession of a single family since before WWII, and the patriarch was a personal friend of Roy Smeck and a possible business associate. 5 gases found in the environment There is no paper trail on this provenance, however it certainly seems likely due to the 7-string layout.

Whatever its background, this is a fascinating piece, certainly a custom-ordered instrument and likely one of a very few ever made in a 7-string layout. Roy Smeck himself generally used 7-string models as stage instruments, as documented in period films. Smeck personally owned at least one other 7-string Radio Grande model with a natural finish top, but it is not documented if that or any others survived. We have not been able to verify the whereabouts of any other identical 7-string models, but it is not possible to say this is the only extant example.

The Gibson company produced two similar model flat-top Hawaiian guitars bearing Roy Smeck’s name beginning in 1934: the Radio Grande, priced at $100.00, and the Stage Deluxe, priced at $50. gas and electric phone number These were 6-string instruments built especially for Hawaiian steel guitar style, and not playable as a conventional "Spanish" guitar without extensive modification. By this time most professional Hawaiian guitarists were adapting to performing on the new electric Hawaiian guitars, making the flat-top acoustic steel guitar like this rapidly obsolete.

The Smeck models were not sold in large numbers and Gibson no longer cataloged the Radio Grande after 1936, although scattered examples continued to be shipped through 1939. Total production is unknown, but it was likely not more than 100 instruments. what are the 4 gas giants in the solar system Smeck maintained a relationship with Gibson at the time and a number of custom-ordered Gibson instruments were supplied to him in the mid-1930s, both for his own use and for the music school he founded.

This particular instrument has some standard and several custom features and was quite likely built for Roy Smeck himself, either for his personal use or for one of the many students he taught. The headstock has a "Roy Smeck Stage DeLuxe" white paint stencil and is equipped with seven openback riveted Grover G-98 tuners of a style used primarily in 1935 and earlier. The very wide neck is built from mahogany laminated on the center seam as it is considerably wider than a standard Gibson neck blank. The bound rosewood fingerboard has inlaid fret lines (not conventional frets) and shaped pearl inlay in what is generally called the "Nick Lucas" pattern.

The spruce top is finished in an unusual sunburst pattern seen on occasional examples of this model; the standard finish was a natural top. The back and sides are natural finished rosewood. This is one of the few large-body rosewood guitars ever built by Gibson, which adds substantially to the model’s desirability. The bridge is wider than standard to accommodate the seven string pins, and the attachment is re-inforced by four screws covered by pearl dots. The Factory Order Number stamped in ink on the neck block of this guitar has faded into illegibility, so the instrument cannot be dated precisely. Based on the features, it was built between 1934-36, probably on the earlier side.

This instrument has considerable historic value. However, the unusual 7-string layout with the very wide fingerboard and bridge would make conversion to a modern 6-string instrument for playing purposes practically impossible. While the primary modern collectors’ interest in the Gibson Roy Smeck models is for instruments playable in the conventional Spanish style, this guitar is still an amazing piece of pre-war Gibson flat-top history.

The guitar survives in well-played but unaltered condition. Overall there are dings, dents, and scrapes to the finish, but the instrument shows no alterations except possibly a replaced nut. There are small grain cracks that appear to have been repaired visible on either side on the lower bouts by the back just above the kerfing and to the top on the upper edge of the pickguard. electricity usage by country The guitar remains perfectly playable in its intended Hawaiian setup and has an extremely fine huge sound. It is housed in a more modern HSC with some fairly heavy wear. Excellent – Condition.