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I recently ran into an old friend who told me about TheatreFIRST, a theatre company in Berkeley that is “an art-as-activism organization investigating new models of equitable representation through our development-based new works process”. I think it’s so important that theater be more inclusive to people of color, women and the LGBTQ community and it’s great that they are approaching that in a really intentional way. gas x strips walmart I was excited to check out their original play The People’s History of Next which was developed with “Bay Area high schools, colleges, and community centers through listening circles, writing workshops, and media foraging”. I wanted to see this with someone who also values diversity and youth voices. So Nisa, an arts nonprofit colleague of mine, and myself headed to Berkeley for some Drama Talk and Drinks.

Nisa: This show had a Black Mirror, meets Farenheit 451, meets Sense 8 sorta feel. They touched on some important topics like school shootings and racism and sprinkled in a little dystopia. I think there were interesting things done with movement, which was really cool, and they explored trauma in an interesting way. gasco abu dhabi Then there was also a Matrix oracle type character, and discussions about the past, present and future. It was a lot to digest. The young actors did a great job with the words they were given. I don’t know how this was developed with high school students and how their words came into play but it did feel very much like an adult took young people’s words and kind of manipulated it. Maybe manipulated is a harsh word, but It felt like a touch of youth and a lot of adult. gas 4 less And I didn’t believe the words coming out of the youth’s mouths sometimes. Also I find it weird that the Jewish White girl gets the majority of the spotlight and there was this whole thing with her background and Jewish traditions that just didn’t quite make sense. The premise of this play really could be the start of a joke like a black boy, an Indian girl and a Jewish girl walk into a theater, you know. Anyway, I feel like there is something there. There are messages clearly there, and there’s artistry there too. 7 gas station Felt very much like performance art.

Katie: Totally, and performance art often doesn’t inspire or move me. I didn’t feel like this show invited me in. It felt like it was a story that only the people involved in creating it got something out of. There was just a lot of yelling and talking at us. gas 87 89 93 It was the moments when the characters were talking to each other that were the most intriguing. The art direction and visual elements were really cool. e85 gas stations in san antonio tx My issues were not with the actors performance, the set or the projections. It was the story, which was very disconnected most of the time, and when I feel disconnected it’s hard for me to be moved.

N: Honestly, I don’t understand what my takeaway was supposed to be and the whole time I was like “where is this going to go?”. And yeah, I know all the shit that’s happening right now, and these are important issues but it felt like these issues were thrown in a blender and I couldn’t understand what the main message was. gas x side effects The show was so focused on being deep, that they missed it.

G: Yeah, the vibe was really cool. The relationship between the performers and the audience is very unique, and different from anything I’ve seen. Everyone’s very encouraging because you understand that what they are doing is dangerous so there is applause when someone does something cool or when someone messes up they get love from the audience. Having driven past those tents hundreds of times over the years, it’s incredible to finally see what’s going on inside, and I like it. They create such a unique environment…you forget you’re in a freaking parking lot!

The Drama Talk: Wow. How do they do it? You forget how difficult these things are because they make it seem so easy. Tricks off trampolines, with bikes and jump ropes, through hoops and in the air, there were like 100 athletic achievements being done and it was all pieced together with a story of a young man who has lost touch with himself because he’s different. The storyline has some cool, beautiful moments, but overall it didn’t quite feel cohesive. However, the incredible performers, music, and lighting make up for it.

Beaches and boats are a big part of the band’s mythology. Alaina Moore and Patrick Riley, the husband-and-wife duo of Tennis, met in a philosophy class at the University of Colorado, Denver. After graduation, they took sail for half a year along the Atlantic Coast. “Cape Dory,” their debut album, was written on their trip and is a diary of the places they visited — Maryland, South Carolina and Florida.

I had recently come back from island hopping in the Cyclades, the group of Greek islands known for their whitewashed and blue domed buildings, so I was able to imagine how “Cape Dory” could be a perfect soundtrack to hanging out on a boat, grilling fish on the secluded beaches and feeling your cares dissolve away in the saltwater and Mediterranean sun.

In addition to the acoustic set, the stage design also made me feel like we were in their home recording studio. On stage at The Chapel was an upholstered green bench, vanilla shag rug and a side table with a velvet rose tablecloth which sat unused until “Island Music,” the last song on “Yours Conditionally” and the closing song of the night. gas station near me open Moore took a seat on the table and pressed a button, which turned it into a rotating pedestal.