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Madoka and the other magical girls reappear at Mitakihara fighting some new creatures born from humans’ negative feelings known as Nightmares (ナイトメア Naitomea), having no recollection about what previously happened. However, Homura realizes something is amiss and after some investigation recovers her lost memories and realizes that e gaskell north and south she, Madoka, the other girls and several of their friends are trapped in an alternate world inside a witch’s barrier. As Homura realizes that the witch is none other than herself, Kyubey appears and reveals that she had fallen into despair and when she was about to become a witch, he isolated her Soul Gem to set a trap for Madoka, hoping to take control of the confounding Law of Cycles.

However, when Madoka appeared to retrieve Homura, she had forgotten about her duty as the Law of Cycles and her powers, thus Kyubey kept observing her until that point. Having recovered her memories, Homura forces herself to complete the witch transformation at the cost of having her soul destroyed, to protect Madoka from the Incubators. At that moment Sayaka and a new girl named Nagisa Momoe, whose witch form is actually Charlotte—the witch that killed Mami—lead Madoka and the others in breaking the barrier to reach Homura’s real body. Madoka recovers her memories and power as the Law of Cycles and reaches for Homura, but the latter releases the curse in her Soul Gem which she reveals is not one of despair, but love. With this power, retaining her human form, Homura suppresses Madoka’s powers while transcending into what she considers to be a demon.

Afterwards, Homura captures Kyubey and rewrites reality so he and his kind take Madoka’s place in taking the misery of magical girls in history while she can electricity trading hubs return to a normal life. But Homura realizes that Madoka will eventually remember the truth and regain her divinity, accepting that they might become enemies should that time come. A post-credits scene shows Homura seated in a chair while watching over Mitakihara City and a badly-beaten Kyubey in the vicinity. After staring into the horizon, Homura leans over and falls off a cliff.

• Homulilly’s appearance in Rebellion differs greatly from her original appearance in the PSP game. She appears as a huge, distorted version of Homura, with the upper half of her head replaced by a red spider lily. Her minions are twisted versions of the pigtailed Homura from the first electricity projects for grade 7 few timelines, armed with spears. The long ribbons of the witch’s dress act as flexible arms, attacking everything around her.

• The witch’s hands are in manacles, and a giant guillotine rises from the ground when she begins to head towards the city. It appears that the witch is trying to reach the guillotine so she can sacrifice herself, which would free everyone else from her witch barrier. This is foreshadowed by an image of Mami and Kyoko beheading Homura in a similar guillotine as she begins to transform into Homulilly.

• The witch has two additional types of minions: minions that resemble human girls (possibly representing fallen magical girls, they were much stronger than other minions in battle) and purple bird-like minions. Interestingly, these minions can still be seen in the new universe, and Homura still seems to be able to control them to an extent. It’s unclear why Homura chose to keep her minions, since she claims she is no longer a witch.

• Prior to the movie events and at the beginning of the c gastronomie mariage anime series, the universe was first ‘Atheistic’ (the Mahou Shoujo system was in place and there was no concept of hope, it was ruled by despair), after the anime series ended the universe went to a transformation and became ‘Monoistic’ (Madoka became the concept of hope and put in place the Law of Cycles). Rebellion expands the universe by transforming it once again, and introducing a ‘Dualism’ system in place. If Madoka represents the concept of hope (selfless love), then Homura represent the concept of despair (selfish love).

• In the MadoVerse, the message was one of hope, Madoka allowed the universe to retain their free will and she respected the wishes of magical girls so as not to rob them of their sacrifice, the world was not prefect but it was much better than under the old system. But the HomuVerse is assumed to be the opposite. It is deceptively peaceful and happy, Homura was only able to create shale gas in spanish this universe by robbing Madoka of her free will, erasing her memory, and denying Madoka’s wish of salvation thus rending Madoka’s message of hope meaningless. Not only that but for Homura to be able to sustain this new reality, she extended her barrier to cover the whole universe, probably as a way to have it under her influence to guarantee that it doesn’t create a reason for Madoka to sacrifice herself again.

• According with Shinbou, the Madoka inside Homura’s world is the real Madoka, who has lost her memories of becoming a god. She’s not a fake or Homura electricity grid code’s creation. What she says in the field of flowers is what she’s really feeling at the time. That scene may seem overly sentimental at first glance, but if you think of everything Homura does afterward, her feelings will come across more easily. [26]

• It is possible that teeth may be a reference to the Tooth Fairy. Unlike Santa Claus and, to a lesser extent, the Easter Bunny, there are few details of the tooth fairy’s appearance that are consistent in various versions of the myth. Usually in the West the tooth fairy is depicted as female, a type a fairy with wings. However, in Spanish and Hispanic American cultures the role of the tooth fairy is relegated gas vs electric water heater savings to the Ratoncito Pérez (or Ratón Pérez, Pérez Mouse in English)) that originated in Madrid in 1894. As is traditional in some English-speaking countries, when a child loses a tooth it is customary for him or her to place it under the pillow, so that Ratoncito Pérez will exchange it for a gift. The tradition is almost universal in Spanish cultures, but takes different forms in different areas. One of the roles of Homulilly’s familiars is to kill the white rat (which is Kyubey), perhaps this is a reference to the Ratoncito Pérez.

• A mare or nightmare (Proto-Germanic: *marōn; Old English: mære; Old Norse: mara; German: Nachtmahr) is an evil spirit or goblin in Germanic folklore which rides on people’s chests while they sleep, bringing on bad dreams (or nightmares). The mare is often similar to the mythical creatures succubus and incubus, and was likely inspired by sleep paralysis.

• Even if this was just an observational opinion regarding Homura’s entrapment within the field. It can also be interpreted as a observational point regarding Homura’s emotional state of mind. Homura keeps her emotions bottle up and in check, as away to avoid despair and a sense of hopelessness. As a result one could interpret Homura’s behavior as a fear of getting hurt by hiding her real emotions, forced to mature mentally and rapidly in a way to survive her ordeal at the cost of not being able to properly develop a healthy emotional growth in a well adjusted environment.

• Contrary to earlier misinformation and rumors, Urobuchi was not forced by Shinbo to write a different ending, nor gas x dosage for dogs that the ending was a last minute change in the script – the discussion and brainstorming for the ending occurred in the early stages of the movie, before Urobuchi had even written the script. That the ending of the movie differed from the first ending Urobuchi suggested is a regular process in early production stages. It is also untrue that Urobuchi disagreed or disliked the ending of the movie – quite the contrary, in fact.