Sarasota’s stu cook on ccr legacy – creedence online forum gas station in spanish

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Well, Doug Clifford and I were living in this small northern Nevada town Incline Village and we had too much time on our hands, basically. We were jamming a lot, but we kept thinking you know, it’d be better if we had a whole band, a singer, and what better catalog to play than our own? We spent about a half a year rounding up people, seeing who was interested of all our acquaintances, and put together the band in 1995 just as a live music project. electricity experiments for 4th graders We just finished our 23rd year of playing the Creedence Clearwater catalog all around the world.

It definitely set us on a different trajectory than we had ever imagined. When we were kids, playing in a band was our joy. We started in junior high school and continued through high school and college. In ’67, we decided to make a full-time push at it instead of more a hobby, an activity. But we decided in ’67 to go for it and we had some success along the way, kept us working, some regional radio play, but nothing ever on a national level. In June of ’68, “Suzie Q” came out and that changed everything for us.

It was interesting. As you point out, there were some similarities. Living in the San Francisco Bay Area at that time was outrageous. gas prices in texas Every weekend we’d go to the city and go to the ballrooms, hang out. It was just a whole new cultural experience from how we’d grown up. But you’re right, we were more of a straight-ahead band. And that I think is because we had started together in 1959 and our focus was trying to be on AM radio — in other words, make singles.

The San Francisco scene, if you will, had more of an improvisational or ad-lib or I would call it just generally unfocused approach, so that immediately set us off as a different kind of band. We would play three-minute songs and they would play 13-minute songs — not that we didn’t have a long track or two on each album. We were more focused on radio the whole time and that was because we listened to singles growing up, that’s what we wanted to do. bp gas card login That’s all there was really, there was no FM radio.

And we were local, most all the other people that were part of the San Francisco scene were not locals. gasbuddy trip The bands and the artists from Texas were more akin to us in their love of the blues and country music. When you say Airplane, The Dead, to me they were more folk-oriented initially. They played without amplifiers before they became electric. We were always an electric band. So there were similarities, we shared the same stage with a lot of these artists, but we definitely had our own path.

Well, it was again surreal to see half a million people in a pasture. It was something you really weren’t prepared for, 1969 was sort of the summer of festivals, there was festivals in California, Colorado, Georgia, a couple I can’t remember exactly where they were. Woodstock was just one of many, nobody had any idea at the time that it was going to turn into more of a cultural event than a music festival. But people don’t know that we were there because we weren’t in the movie.

You know, I’m partial to all of them after 23 years of trying to play them great every night. I like “Down on the Corner,” when that one is really in the pocket, it swings like no other. “Born on the Bayou” of course is great. gas outage Our most popular song right now is “Have You Ever Seen the Rain?” We try and keep the setlist focused on the songs that most people will recognize, but we also play a few deep album tracks and a couple of extended pieces just to shake it up and have some fun.

But the idea, the premise if you will, behind this project was just to honor and celebrate the music of the quartet with the fans. electricity outage houston tx When we started in ’95, we really didn’t have any idea how we’d go over. The media, the critics, believed it couldn’t be done, but year after year after year, we’ve easily proved them wrong, and it’s really been the fans that have kept us going. Without them, there really wouldn’t have been a Creedence Clearwater Revival at all, the fans and radio made it happen. There was no corporate money, no giant powerhouse management, it was garage all the way.

We’ve had our ups and downs, as any long-time relationship. We’ve been hanging out together for I want to say 59 years now. We don’t agree on everything, but we agree on most things, so we have a good working base to tackle whatever needs to be addressed. We’re not afraid to put it on the table and talk it out, and that’s how we’ve gotten this far together.