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Hailing from the Blue Ridge Mountains of Virginia, The Steel Wheels are familiar with the traditions of folk music and how a string band is supposed to sound. electricity receiver definition In fact, they’ve been drawing on those steadfast traditions for more than a decade. Yet their name also evokes a sense of forward motion, which is clearly reflected in their latest album, Wild As We Came Here.

“I think we’ve always been able to write new songs with different landscapes. However it was really enjoyable for us, creatively and artistically, to depart from the straight-up acoustic sound that we’ve been known for,” says Trent Wagler, who plays guitar and banjo in the band and writes most of the material. “I’m excited to see what happens. There are fans out there who are ready for this and who have been waiting for us to do this.”

While on tour supporting Josh Ritter, the band forged a friendship with Sam Kassirer, who plays keyboards for Ritter on tour and has produced a number of his albums. While The Steel Wheels had been considering other producers and maybe recording in Nashville, they chose to follow their instincts all the way to rural Maine, where Kassirer owns a recording studio inside a renovated farmhouse from the 18th century. All four band members – Wagler, Eric Brubaker (fiddle), Brian Dickel (upright bass), and Jay Lapp (mandolin) – hunkered down for a week and a half to create Wild As We Came Here.

Unmatched in artistry, grace and refinement of movement, the internationally acclaimed Cashore Marionettes redefine the art of puppetry. The moving and humorous performance has astounded audiences in Europe, the Far East and across North America including stops at the Kennedy Center, Annenberg Center, Kravis Center, and many others. In the performance Life in Motion, Joseph Cashore presents his collection of marionette masterworks. o gascon Characters of depth, integrity, and humanity are portrayed in a full evening unlike anything else in theater today.

The performance is a series of scenes taken from everyday life and set to beautiful music by composers such as Beethoven, Vivaldi, Strauss, and Copland. Through a combination of virtuoso manipulation, humor, pathos, classic music, and poetic insight, The Cashore Marionettes take the audience on a journey that celebrates the richness of life. gas yourself Life in Motion is a powerful, entertaining, surprising, theatrically satisfying, one-of-a-kind evening for adults and young adults. Joseph Cashore has received numerous awards for his artistry including a Pew Fellowship for Performance Art, based upon his artistic accomplishment; a Henson Foundation Grant, an award intended to help promote puppetry to adult audiences; and a Citation of Excellence from the UNIMAUSA, the highest honor an American puppeteer can receive. The Cashore Marionettes are so well conceived and projected, the movement so convincing, the illusion so powerful, that the result is a compelling, unforgettable, theatrical experience.

The mid-twentieth century was a great era for the popular song. The golden age of movie musicals brought us classics like “Over the Rainbow” and “Let’s Call the Whole Thing Off.” At the same time, the sophisticated jazzy tunes of Ella Fitzgerald, Nat King Cole, Frank Sinatra, Tony Bennett, and many more captivated listeners. A few years later, great artists like Etta James, Dionne Warwick, and Stevie Wonder brought us one gem of a song after another, each one woven into the fabric of the lives of all who lived through those dynamic times.

Little Doors is a musical group that wanders through this seemingly endless canon of great songs, gathering tunes like shells on the beach and taking them home to enjoy again and again. Simply presented with vocals, guitar and upright bass, these songs take the listener to a place in their past; a place of nostalgia evoking forgotten joys or heartaches, sometimes with a fresh appreciation that comes from having been away from an old friend for too long.

American Idol Michael Lynche is a new breed of soul singer with completely classic influences. electricity transmission vs distribution Traces of Donny Hathaway, Al Green, Luther Vandross, Sam Cooke and James Brown all seem to flash in this uniquely talented performer. Undeniable charisma, well­ crafted song arrangements, and a voice soaked in soul give the big man class all his own. “Big Mike”—as he was known while winning over the hearts of a nation during his stint on American Idol—has talent so versatile, he’s played intimate jazz & blues clubs, 20,000 seat arenas and opera halls with 100 piece orchestras backing him. electricity merit badge pamphlet Through it all “Big Mike” has always had one singular goal to spread a message of love wherever he goes.

A New York City resident for the last 10 years, this Florida native rose from obscurity as a finalist on season 9 of the hit phenomenon ­­ American Idol. After wowing millions of fans on American Idol with his comforting and powerful voice and performing throughout the United States as part of the American Idol LIVE! Tour, Big Mike has released 2 studio albums, toured as an opening act for Boyz II Men, Lalah Hathaway, Faith Evans, and Lyfe Jennings and recently took his show overseas for the first time to headline a tour of the Mediterranean.

“Big Mike” comes with an inspirational story and a searing, soulful, one­ of­ a ­kind voice. He leaves you breathless and wanting more when the night is over. This extraordinary vocal talent seamlessly fuses classic R&B, thoroughly modern urban grooves, and swoon­worthy vintage soul into a fresh, unique sound. Big, yes—and beautiful, too; Michael Lynche makes music that’s unforgettable.

One reviewer recently wrote – ‘Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. z gas cd juarez Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne is just magical’ (themusic.com.au)

The story goes that the young Australian singer, songwriter and one-of-a-kind guitar virtuoso first picked up his instrument of choice as a five-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing solo wherever he could, honing his craft and developing what would become the dynamite live show that he is renowned for today. At 18 he left school, turned professional and hit the road.

The next several years saw him traversing North America, the United Kingdom, Europe, New Zealand and of course, his homeland Australia playing such festivals as California WorldFest, Winnipeg Folk Fest, Vancouver and Mariposa Folk (Canada), Belgium’s Labadoux Festival and Australia’s Woodford, Falls Festival, Port Fairy Folk Festival and the legendary Byron Bay Bluesfest. power outage houston txu He has toured and shared stages with Jake Shimabukuro, Jesse Cook, Roderigo Y Gabriela, Richard Shindell, The Ragbirds, The Waifs, Lucinda Williams, Judy Collins, INXS, John Butler, KT Tunstall and Ani DiFranco.

Ted Yoder’s hammered dulcimer cover of Tears for Fears’ “Everybody Wants to Rule the World” became one of the most-watched Facebook Live posts in 2016 when the song received more than 101 million views from music fans around the world. It’s no wonder the video went viral; when a barefooted Yoder performed the hit on his hammered dulcimer in his Indiana family’s backyard with his wife, kids, and a pet raccoon named Gidget in the audience, he immediately became an internet sensation known as the lovable “Dulcimer Dad.”

What’s most remarkable about Yoder (besides the magic he brings to the mallets) is how his career has flourished at a time when the traditional corporate music industry is in decline. With his wife Donna, Yoder has created a family culture of creativity and teamwork that puts his music making at the center of its activities. From website and social media to music distribution and touring, Yoder’s family has helped him build an authentic life as a working musician and a blueprint for the lives of young musicians who want to learn what it means to play an instrument for a living in the second millennium.

You could be forgiven for asking yourself: “Now where have I seen that face before?” Truth is, if you have been floating around Europe for the past 15 years or so, you might well have seen Maurice Dickson, if it was Monday, it must have been Germany …or was it Spain, Portugal, Holland, Belgium, France, North Africa …or the Canary Islands. As they say in Scotland, a stone’s throw from Maurice’s native Northern Ireland, he has “earned his spurs.” The long journey began in 1975 when he started playing, singing and writing. A year later, aged 16 he put together his first band, which belted out his own material and cover versions of the day until 1979 when he traded his engineer’s overalls for the insecurity of a life on the road. Setting off with a guitar, a sleeping bag and £75, he spent four-and-a-half years slogging it round Europe and North Africa, learning the tricks that only that kind of experience can give an artist – how to judge an audience, how to hook it, how to play it, how to reel it in and put it in the bag.

The Bagels & Fraylox Klezmer Band is a favorite of klezmer fans throughout southeastern Virginia and of countless music lovers who never heard (or heard of) klezmer before encountering this “band with the strange name.” Two simple ingredients make Bagels & Fraylox irresistible: A repertoire of exciting party music from a Jewish tradition that has wide influences and universal appeal, and an infectious performance style full of energy and zest.

Klezmer is a lively mixture of wedding and party music of 19th century Eastern Europe with strains of Yiddish theater and American dance band music of the early 1900s. electricity 4th grade powerpoint But it borrows freely from gypsy tunes, Middle Eastern music and other sources as diverse as American folk music and rock ‘n roll. All of those influences come out in Bagels & Fraylox concerts. A traditional wedding march from one hundred years ago in Russia or a schmaltzy tune from Yiddish theater – even Broadway’s “Fiddler on the Roof” – may lead into a rock-flavored Middle Eastern rave-up that has audience members dancing in the aisles.

Zoe Speaks is a trio from the mountains of Kentucky with something to say, and a unique way of saying it. Mitch Barrett, Owen Reynolds, and Carla Gover are all respected musicians in their own rights on the Kentucky music scene, but their musical synergy when they play together prompts fans to use words like “magical” and “mighty”! Their music is rooted in the Appalachian sounds they grew up playing, but freely draws on a variety of rhythms and styles from smooth folk-pop to blues and calypso. (Think The Duhks or Tim O’Brien). In fact, they have more than an eclectic style in common with Tim O’Brien: collaboration with musician/producer Dirk Powell, with whom they recorded their most recent album Drop In The Bucket.

Known for both their originals and their unique spins on the mountain tunes that they cut their musical teeth on, their songs are socially conscious and spiritual, with themes ranging from the environment to family to addiction to interracial relationships, and populated by tricksters, angels, addicts, truck-stop waitresses, fools, mules, heroes, and werewolves. The band toured for a decade and appeared all over the United States before taking a hiatus to work on solo careers. Their fans were overjoyed to hear last year that they’d be reuniting, and their voices and songwriting chops are stronger than ever.