So i just saw cloud atlas again catchy title goes here electricity electricity song

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I don’t think this is a particularly bold statement to make in 2018: The Wachowski sisters are filmmakers whose body of work has become more enjoyable as the world has slipped further into fascism. electricity images cartoon From The Matrix onward, they have never been especially subtle or nuanced storytellers, but they excel at a type of earnest rhetorical stance that feels desperately necessary as cynicism becomes the dominant mood of everyday reality. gas leak chicago It’s no wonder that Speed Racer, a movie that was panned when it came out in 2008, has achieved a cult status a decade later; the conditions just weren’t right for that level of wide-eyed wonderment and live-action cartoonishness (this was the same year that everyone flocked to the first Iron Man, in which a rich dude gets blown up by his own weapons and builds himself a suit of power armor from a box of scraps; it’s a totally different kind of live-action cartoonishness, I swear).

After that particular endeavor, the Wachowskis turned their attention to an adaptation of a sprawling literary novel which I have never read, Cloud Atlas. gas x strips side effects This was an ambitious project; they assembled an all-star cast to play multiple roles in six interlocking stories that span probably five hundred years. gas house gang I remember the first time I saw this movie (which I wrote about way back when in this post), I spent most of the nearly three hour run time just puzzling over how all the plots fit together. electricity units to kwh On this second viewing (yeah, I’ve only seen Cloud Atlas twice now, which feels a little weird) I had a better grasp of what was going on, so I spent more time paying attention to the little hooks and callbacks that are sprinkled through all the stories that help link everything thematically.

The big through line, which I think I noticed on the first viewing (although perhaps only dimly), is the Wachowskis’ preoccupation with the intersectional nature of oppression; each story explores a different dimension of marginalization including racism, homophobia, ageism, class warfare, and geographic bias (the plot set in the 1970s is hard for me to classify, although it certainly has connections to racism and classism). None of the stories is especially subtle in its presented moral: slavery is evil, homophobia ruins lives, rich people act amorally to preserve their bottom lines, we are collectively horrible to our elders, universal rights for workers is a net positive for all of society, people living in geographic isolation lead lives as rich and complex as any more socially connected person can. The Wachowskis love to explore themes centered on social justice in their work, and in Cloud Atlas they lay in this utter barrage of triumphant moments where the underdogs succeed or at least offer up real resistance in the face of the status quo. Back in the Obama years, when a lot of folks (myself included) weren’t paying that much attention to the ways that marginalized groups get repeatedly thrown under the bus, these sorts of moments often felt grating and unnecessary. When things that you care about in the world seem to be going fine, reminders that everything is not fine can be irritating. electricity worksheets In the present era, reminders that things are not okay, especially when they’re paired with propositions about a moral direction and a hopeful outline, feel more comfortable and reassuring. You could say that the morality play is making a comeback, and the Wachowskis have a knack for presenting these big, broad stories that revel in that tradition.