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” To portray a wild boar in a way that no one has ever portrayed a wild boar; to make an ugly animal attractive, in an original way; as interesting for me to draw as for viewers to see; in a way that’s just as recognizably ‘ Lennie Mace’ as it is ‘ boar’.” Thus describes artist Lennie Mace as his approach for drawing 2019’s Year of the Boar new year card design, his 9th entry to what will comprise a 12-piece series. The cards follow the Chinese Zodiac of 12 animals, but China’s Year of the Pig becomes boar in Japan, where Mace’s cards are marketed.

Using one eye to draw a one-eyed boar was not originally part of his approach. Yes, you read that right: Mace drew what would become his Popeye Boar ( pictured) using only his left eye, but not as part of some challenge or to show off. While working at his castle in the Japanese Alps in October, Mace took a direct hit of decades-old dust into his right eye. The toxic ball of dust infected the eye, leaving him virtually blind in one eye during the exact period he had set aside for drawing the annual card design. ” The drawing had to be done; the new years’ cards have become an anticipated event for many people, and part of my ‘ job’,” Mace explains. ” So I was drawing injured, and had to depend on my left eye.”

Japan correspondent E. Lee wraps up his online retrospective of illustrious ballpointer Lennie Mace with this long-awaited Part 3 of 3 , bringing us up to date with his career between 2004 and now—decade three and into decade four for Mace as a professional artist—during which additions of new techniques, new materials, new projects and overall maturation blossomed.

​By 2004, Lennie Mace had been mastering the artistic capabilities of ballpoint pens for over two decades and working with them professionally for nearly as long, producing groundbreaking ‘ wow’-worthy halftone effects which show little trace of the ballpoint line-work used in their creation; his so-called ‘ PENtings’. gas zyklon b Mace had always been one of the few true ballpoint purists—an artist whose body of work consists mostly, if not completely, of ballpoint pen usage—but during the early years of the 21st century his creative instincts would manifest in ways that matched, and sometimes superseded, his mastery of the pen. More below…

The Report: Aging elbow-rubber and chronicler of the 1970s, 80s and 90s celeb social circuit Haden-Guest was fishing for a timely topic to chime in on and he found one in Outsider Art. Although he touches on some valid points, the article is provided no space for him to actually go anywhere with it. Just lots of name dropping — Henry Darger, Adolf Wolfi, Joe Coleman — enough to prove he may still know what he’s talking about.

The Point: Usage of ballpoint pens to create art has its own outsider element of which Haden-Guest is either unaware or wasn’t provided enough space to touch upon. But his closing statement about the " surge of faux, unfelt Outsiderism into the marketplace" hits a nail on the head. gas kansas city Whatever will cover the high cost of an art-star lifestyle and expensive gallery space; a Jeff Koons exhibition of ballpoint PEN tings would fit that description. B. Neufeld

The Report: Shepard Fairey, ” who created the Hope poster that came to symbolize President Barack Obama’s 2008 campaign” vandalized buildings across Detroit, and ” would be arrested if he returns to Detroit and doesn’t turn himself in ”. Fame ” does not take away the fact that he is also a vandal ”, a police sergeant is quoted as saying.

The Point: Considering Picasso’s cubist painting style, the only way an impressionable mind would even recognize ‘nipples’ is if someone told them they were nipples, and the only way they would consider nipples bad would be if someone taught them they were bad. Apparently someone at Fox must’ve been cut off from mother’s milk too soon and still holds a grudge. B. Neufeld

The Point: At the time of Hirst’s rise as darling of the art world (mid/late-1990s), suckers still speculated on art-as-trophy-investment. What’s happened since then is a fine example of what happens when the now-proverbial ‘ wow factor ‘ is all you have. npower electricity meter reading After the thrill is gone, someone is bound to notice: ” Uhm, it’s a shark. In a tank… Isn’t that what Museums of Natural History or aquariums are for ?”. It’s just as much the fault of the media for reporting about such bull-shit-artists in the first place. B. electricity in costa rica voltage Neufeld

In the wake of publicity stirred up by the 2002 opening of his Tokyo Viewseum came a wave of interest attracting new patrons with grander commissions. Mace hadn’t solicited attention to the Viewseum himself but, being work commissioned as a salon interior, the patron did. Soon enough, word simply got around about the salon-with-a-view. Mace elaborated upon design details from the Viewseum to fill requests for commissions, and there happened to be plenty of design details and commissions—whole brass sections-worth of trumpets, flugelhorns, cornets and tubas hand-crafted into light fixtures, even a chandelier; Walls completely resurfaced with CD and vinyl picture-discs, affixed using artful arrangements of washers and other stainless steel hardware; walls, doors and ceilings wallpapered in a collaging of magazine pages, fabrics, stickers and, again, hardware.

Finding new things to do and new ways to do them using new tools and materials further fueled Mace’s already-voracious appetite to create. Output exploded in every direction, leading him into a prolific period which continues to bear fruit. storing electricity in water A one-man renaissance had been set into motion, but unless you were in direct contact with Mace or his circle of supporters you might never have known about much of it. It was all a publicists dream, but by that time Mace was already quietly enjoying a career of his own and feeling less-inclined to, in his own words, ” pander” … ​

Mace tells us the final design strays completely from what he intended, but not because of his sight. ” I had in mind to go tribal; something linear like I did for Year of the Dragon. But it just wasn’t working, so I riffed and this is how it turned out.” Mace’s ‘ riff ‘ hit on his first try, in a matter of minutes, and the final drawing was completed in around three hours. Those hours, however, were spread over three days, and that was due to his sight. ” It was rough. An hour or so was all I could handle. Frustrating, too, for a drawing I normally could’ve done in one sitting!”

” I drew the basic outlines very lightly using pink, and the dry pen linework ( whiskers and hair) in the first sitting,” Mace says of the drawing process. ” The next day I added purple and brown, but also very lightly, mostly as reference for where shadows would be. The final sitting was roughest, working with all three colors, layering until I got a pleasing blend.” Interestingly, Mace used no black; the few areas that seem black are where his soft purple and brown pen strokes crossed the indentations made by his ink-less pen. ” As the colored pens cross over the indentations, the ink builds up on the opposing side of the pen strokes. In this case purple and brown congealed to form a kind of black.”

Mace originally intended to draw his boar with two proper eyes, but decided to reference his injury by leaving its right eye blank. Upon doing so, he noticed a vague resemblance to Popeye, thus the title. Mace’s boar measures only two by three inches; extremely small for someone ‘ drawing injured ‘. ” That’s part of what made it so hard to draw, but it was part of the plan. Lately when drawing for print I like drawing small so the art is reproduced enlarged. electricity in india ppt It shows off the smooth ‘ can’t believe that’s ballpoint’ penmanship.” Add ‘ can’t believe Mace did it with one eye’ to that. As of this writing he is still minus clear vision. The Ballpointer wishes Mace a full recovery, and we’re relieved the ballpoint Elder isn’t ‘ thinking injured’! ・ ​