The frame _ hello, spotify! goodbye, songwriters_ _ 89.3 kpcc

When you write a song that streams on Spotify or Apple Music or another service millions of times, how much do you get paid? Not enough to by a vente latte at Starbucks. Electricity how it works But perhaps just enough to possibly start a revolution.

Michelle Lewis and Kay Hanley, who between them have decades in the songwriting business, have become outspoken advocates in the era of streaming. They founded Songwriters of Northern America, an advocacy organization dedicated to songwriters’ rights. K electric company And borrowing a page out of the “Schoolhouse Rock” handbook, they hope to educate the public on the plight of songwriters through an animated video and catchy tune.

The Frame’s John Horn spoke with the duo about why the Digital Millennium Copyright Act of 1998 no longer works in an era of music streaming services and what can be done about it. Bad gas 6 weeks pregnant Interview Highlights Michelle Lewis and Kay Hanley:

Your song “Wings” [performed by the band Little Mix] was streamed on Spotify several million times. C gastronomie traiteur avis Not that long ago, you got a royalty check for those streams. Electricity water analogy animation How much did that add up to?

LEWIS: That was the catalyst that started me down the wormhole of how songwriters get paid for streaming services, specifically Spotify, Pandora and Apple Music. Gas cap light The way we get paid is not very well, really. Gas key staking tool A stream is for one person, whereas on radio it goes out to multiple people. 76 gas station jobs They came up with a formula for what a stream is worth in the Digital Millennium Copyright Act introduced in 1998, which, I will remind you, was before the iPod. Electricity song omd It determined what digital replications would be worth.

Kay, before there were iPods and streaming services, a song like this would have been sold as an album or as a single and you, the songwriter, would have gotten a bigger slice of the pie?

HANLEY: The pie would have been smaller and so our piece would have been larger. Gas leak los angeles I started out as a songwriter and artist in the late ’80s and I have always made a living from radio play, album sales and touring. Gas prices in texas 2015 Now it seems like two of those pieces of the equation have been lopped off of what the songwriter’s take is. Gas natural fenosa With touring you can still do really well, but a songwriter doesn’t do much of that.

You both now work in TV. M gasol How is the payment that you receive for writing a song for a Disney Channel show different from what you get from a streaming service?

LEWIS: The synch fees that are agreed upon with say, Disney Channel or Nickelodeon, are done in a free market negotiation. Gas hydrates are used And then the licenses are based on numbers of viewers and stuff like that. Gas prices going up to 5 dollars It’s like terrestrial radio where you take how many people you think are listening and that’s how it works out. Electricity lesson plans year 6 So in TV, we’re actually in a healthy marketplace.

There are three ways a writer can make money off of his/her composition: one is the publishing copyright, which is the song’s words and melodies as they’re written down; then there’s the so-called mechanical license, which is what someone pays to record that composition; and the third way is the performance license – if the song is played on a radio station or a restaurant. Electricity edison How has the evolution of digital media changed that formula? What has gone away?

LEWIS: People don’t really buy physical products anymore. Thitima electricity sound effect What we haven’t been able to control now is the scarcity of the supply. Electricity jokes riddles If it’s digital it can be replicated anytime, anywhere, and it’s free.

So you’re really relying on these royalties. Gas vs electric stove cost As streaming services take off and album sales go away, that royalty basically vanishes. Eon gas card top up Michelle you realized that the world is changing, but rather than curse the darkness you decided to light a candle. Hp gas online booking hyderabad That brings us to Songwriters of North America. Was electricity invented during the industrial revolution Tell us how SONA came together and what you hope it can do going forward?

LEWIS: Kay and I write all the music for this TV show on Disney Junior called “Doc McStuffins.” When we’re writing for that, we’re in a bubble, and when we come out of the “Doc” bubble between seasons, we look around and see what’s going on. Shale gas in spanish During one of these hiatus points, we emerged and saw our own statements for the things that were not “Doc” related. Gas tax in texas That’s when we had our What-the-bleep? moment. J gastroenterol We talked to some attorneys and people who worked at [the American Society of Composers, Authors and Publishers], and other songwriters, and we realized that, in Los Angeles in particular, there wasn’t a community rallying around this particular issue. Z gas guatemala Because we hadn’t rallied around it publicly, it had gotten away from us.

So you can’t unionize. Gas pain Let’s say you have a chance to change the way in which composers are paid. O goshi judo What would be the top two or three priorities for you? What would you go after first that is in the most need for change?

HANLEY: Right now our main target is going after the digital service providers like YouTube, Google, Spotify and Pandora. Electricity units of measurement We’re really looking for fair rates in streaming.

LEWIS: But that’s two pronged. Gas after eating bread Fair rates in the streaming would come from subscriptions where people are actually paying to listen to music. Gas x strips after gastric sleeve Spotify has a paid tier, YouTube is coming out with YouTube Red, and there’s Apple Music of course. Gas mask drawing It’s getting more people to subscribe and pay and maybe use a Netflix model of windowing where you have prime users who can get first-day releases.

LEWIS: Streaming services of the world will say they’re paying out billions of dollars in revenues and yes, 70 percent of their revenues go toward content providers — the sound recording owners. Electricity projects for class 12 Four percent of that 70 goes to songwriters and to publishers, and 96 goes to the labels.

HANLEY: It was a money grab, but a legal one. Gas laws worksheet with answers This should not be surprising to us, but in everyone’s perfect world, we would all act in the collective’s best interest. Gas pain in shoulder But we don’t live in that perfect world. Electricity production Artists and songwriters have always been at odds with who is going to get the money, and the label usually has historically won. Gas vs diesel towing I think we’re just trying to flip that now.