The freedom party® – (le) poisson rouge gas yourself in car


The Freedom Party® NYC is returning to (le) poisson rouge! Officially the longest running old-school dance party in NYC history, the Freedom Party® will be back at LPR on Friday, November 16th. Once home to the lauded Club Life, the last of the great club-land hideouts, and before that, the even more praised and downright historic Village Gate, Le Poisson Rouge is a 1000-person venue in the heart of Greenwich Village on Bleecker Street, where thousands of revelers canvas this stretch of city sidewalk every weekend looking for fun.

The Freedom Party® NYC is over 15 years old! That’s right! And for 13 of those 15 years, Freedom rocked each and every week! And you know what? For over four of those 13 years, LPR was its home! And now, hundreds of parties later (and a “Best Dance Party” award from Village Voice), Freedom returns to Bleecker Street. electricity generation in usa Expect a packed house full of people from all over the world, all races, creeds, religions and kinds, dancing and singing along to the sounds of hip-hop, R&B and pop from the 80s through today!

The Freedom Party® NYC was created in 2003 to bring people together through a classic NYC dance party. Just five short years later, Freedom landed at LPR and held tenure for over four years, winning Papermag’s “Best Party (Peoples Choice)” and URB’s “Best Party (Nationwide)!” Freedom went on to hold court and some of the city’s most lauded events, including the annual Freedom Anniversary at Summerstage in Central Park! But now it’s time for the return! Freedom Party® NYC at (le) poisson rouge!

The Freedom Party® is NYC’s most legendary old-school dance party! Created in 2003, Freedom’s purpose is to bring different people together through a classic NYC dance party. Playing predominantly hits from the 80s, 90s and 2000s, be it hip-hop, R&B, pop, rock, reggae or house, Freedom fills its dance floor with people from all walks of life, all ethnicities, races, creeds and colors, from all over the world, looking to have fun, celebrate life, make new friends and be free.

In the summer of 2011, Freedom flew Midwest to begin a new journey. Now in its fifth year, Freedom Party® CHI has quickly become the Second City’s #1 party destination. Each month, Freedom brings hundreds of discerning partygoers to its dance floor (now at Beauty Bar, 1444 West Chicago Ave), spreading that NYC love to new listeners and growing the Freedom family.

The Freedom Party® NYC, now in its 15 th year, continues to pack its dance floor at highly sought-after events throughout the month, and add the most legendary dance destinations in town to its resume, including our annual anniversary at Central Park Summerstage, “One Step Beyond” at the American Museum of Natural History, Midsummer Night Swing at Lincoln Center, the Brooklyn Botanic Garden Spring Gala, First Saturdays at the Brooklyn Museum, Celebrate Brooklyn at Brooklyn Bridge Park and much more.

When I was little, I had problems sleeping. I wasn’t putting myself to bed ever, really. My parents tried everything in the book to get me out, but nothing worked. gas oil ratio for weed eater One night, my dad was at the bar doing his funny dance to Survivor’s “Eye of the Tiger,” and I asked him to pick me up. Less than five minutes later, I was out. Every night thereafter, he slung me over his shoulder just before bedtime and danced me to sleep—to Queen, Styx, Chicago, Meatloaf and lots and lots of Electric Light Orchestra.

ELO was our personal favorite. gas in oil I ended up memorizing every word to every song off “Out of the Blue.” Anytime we were in his Honda Accord ’87, that 8-track went in. My mom had her input, too. Mostly Billy Joel, Tom Jones, maybe some Diana Ross. She tried singing me to sleep some nights, but “Why Do Fools Fall in Love” doesn’t really set the mood for deep slumber. She gave me my very first piece of vinyl—1966’s “The Best of the Beach Boys.” After the needle gave up trying to stick to that record, she handed me the soundtrack to “Hair.” When the day finally came for me to start learning the value of a dollar and buy my own music, the first tape I went out and purchased was Run DMC’s “Raising Hell.”

How I got from 70s orchestral rock, surf ditties, and Broadway musicals to hip-hop, I’ll never know. But that diversity has stuck with me to this day. gas national average Just when I pledge allegiance to some new rap artist, I’m a bloodthirsty digger searching for a new, synthetic electronic sound I heard on satellite radio or on somebody’s blog. And then I’m back frantically Googling a soul or disco sample I recognized from an old tune or putting the finishing touches on a Dubstep mix I took way too much time obsessing over or re-organizing my play lists so I know the difference between bounce, trap and an old Dirty-South anthem.

The question of how I ended up spending half my waking hours in a nightclub is easy: I practically grew up in one. Again, my father is to blame. He used to be the Food & Beverage Manager at Resorts Casino Hotel in Atlantic City, NJ, my hometown. I clocked more hours at that place than some of the people on payroll. And this was the 80s, mind you, when the casino strip was as glamorous as it would ever be: fur coats, pearl necklaces, big Cadillacs and Liberace (who I saw live…many times). The lights, the sounds, the electricity in the air, even the smells…these things never left.

Nor has my penchant for making people smile. electricity use estimator In grade school I brought class clown to a new level. 9gag instagram It cost me my grades, and also led to a few suspensions, but there was nothing I enjoyed more than leaving my classmates in stitches. Sometimes even the teacher had to take a second to regain composure. I thought maybe I’d make a good psychiatrist, helping people smile, so I went premed at NYU, till I realized the night before classes started that I’d have to sit still and study a lot. (Hence the B.A.) Naturally, I tried my hand at comedy (performed improv at the UCB Theater in 2001 and put together a sketch group called “Plan B”), but I couldn’t afford to be broke, and I was already getting gigs and discovering my knack for making dance floors pop. So, it was settled: I was to be a professional DJ.

Today, my career is in its 15 th year with no signs of slowing down. I’ve played just about every NYC lounge, bar and dance club from Wall Street to 125 th , from Brooklyn to the Bronx, not-to-mention residencies and guest spots across the globe; I continue to work with a growing list of high-profile clients, event-production teams and world-renown artists; I spin some of the most celebrated annual events in NYC, including the Brooklyn Black Tie Ball and Central Park SummerStage; I’ve created the most legendary old-school dance party in NYC history, the award winning Freedom Party® (voted “Best Party” by Papermag in 2010 and “Best Dance Party” by Village Voice in 2015; also a monthly in Chicago); and I continue to create unforgettable dance floors for people from all walks of life.

After years of hard work, dedication and professionalism, my name and reputation as a DJ in the music and entertainment industry precedes itself. And though I don’t get to play nearly as much ELO at the gigs as I’d like to, and 8-track tapes (and Liberace) are long gone, my love for the music, the night, and for making people smile are still here.

Savior Elmundo is a Renaissance man; an accomplished dancer, choreographer, artist, and filmmaker who is driven by his passion for creative expression. Born in 1973, in Harlem New York, Savior had the privilege of coming up in the epicenter of the emergence of hip-­‐ hop while catching the tail end of an epic art scene in NYC. la gas prices now The convergence of these two worlds informed this young man of the possibilities of the unresolved passions within him.

Soon after, Savior picked up a brush to express his feelings after the loss of a close family member and has continuously shown in art shows from 2008-­2018 in Los Angeles and New York. The frenetic layered style he has developed comes from the wealth of inspiration the streets of NYC offered to him as a young man, hell bent on destruction, but ultimately choosing a life of creation. The evolution of his artistic style over the past eight years continues to expose the complexities of life, culture, and his personal experiences. His evocative collage pieces reveal a moment in time that is nostalgic and meaningful. Layers of paint, images, records, 3-­D letters, and other mixed media are reminiscent of the 80s and 90s, the years when Savior was coming up and completely immersed in the music world.