X (american band) – wikipedia gas cap light


X’s first record deal was with independent label Dangerhouse, for which the band produced one single, Adult Books/We’re Desperate (1978). A Dangerhouse session version of Los Angeles was also featured on a 1979 Dangerhouse 12 EP compilation called Yes L.A. (a play on the no-wave compilation No New York), a six-song picture disc that also featured other early L.A. punk bands The Eyes, The Germs, The Bags, The Alley Cats, and Black Randy and the Metrosquad.

As the band became the flag bearer for the local scene, a larger independent electricity load profile label, Slash Records, signed the band. [6] The result was their debut, Los Angeles (1980) produced by the Doors’ keyboard player, Ray Manzarek. It was a minor hit and well-received by the underground press and mainstream media. [ citation needed] Much of X’s early material had a rockabilly edge. [7] Doe and Cervenka co-wrote most of the group’s songs and their slightly off-kilter harmony vocals served as the group’s most distinctive element. Their lyrics tended to be straight-out poetry; comparisons to Charles Bukowski and Raymond Chandler were made from the start. [8]

X then signed to Elektra in 1982 to release Under the Big Black Sun, which marked a slight departure from their trademark sound. While still fast and loud, with raw punk guitars, the album displayed evolving country leanings. The album was heavily influenced by the death of Cervenka’s elder sister Mirielle in a 1980 car accident. Three songs on the album (Riding with Mary, Come Back to Me and the title track) all directly related to the tragedy. A fourth, a high-speed version of Al Dubin and Joe Burke’s Dancing with Tears in My Eyes, was, years later, indirectly attributed to Cervenka’s mournful state of mind. The stark black-and-white cover art and title were electricity distribution map also a reflection of the somber mood of the band during this time. Cervenka has said it is her favorite X album:

In 1983, the band slightly redefined their sound with the release of the More Fun in the New World album, making X somewhat more polished, eclectic and radio-ready than on previous albums. With the sound moving away from punk rock, the band’s rockabilly influence became even more noticeable, along with some new elements: funk on the track True Love Pt. II, and Woody Guthrie-influenced folk protest songs like The New World and I Must Not Think Bad Thoughts. The record received critical praise from Rolling Stone and Playboy, which had long been stalwart supporters of X and their sound. [10]

The Knitters, a side project, were composed of X minus Zoom, plus Alvin on guitar and Johnny Ray Bartel (of the Red Devils) on double bass, and released the Poor Little Critter on the Road album in 1985. The Knitters were devoted to folk and country music; their take on Merle Haggard’s Silver Wings may be the definitive version. [11] 1985–1987: Commercial era and departure of Zoom [ edit ]

Despite the overwhelmingly positive critical reception for their first four albums, the band was frustrated by its lack of wider mainstream success. Zoom had also stated that he would leave the band unless its next album was more successful. The band decided to change producers in search of a more accessible sound. Their fifth record, Ain’t Love Grand!, was produced by pop metal producer Michael Wagener. It featured a drastic change in sound, especially in the polished and layered production, while the band’s punk roots were little in evidence, replaced by a countrified version of hard rock. The change in production was intended to bring the band more chart gas bubble in eye success, but although it received more mainstream radio play than their earlier releases, it did not represent a commercial breakthrough. Zoom left the group shortly thereafter in 1986, the same year in which the feature-length documentary film, X: The Unheard Music, was released.

Zoom was initially replaced by Alvin, who had left the Blasters. The band then added a fifth member, guitarist Tony Gilkyson, formerly of the band Lone Justice. By the time the band released its sixth album, See How We Are, Alvin had already left the band, although he played electricity production in india on the record along with Gilkyson and wrote 4th of July for the band. Like Ain’t Love Grand, the album’s sound was far removed from the band’s punk origins, yet featured a punchy, energetic, hard-rocking roots rock sound that in many ways represented a more natural progression from their earlier sound than the previous record had. After touring for the album, X released a live record of the tour, titled Live at the Whisky a Go-Go, and then went on an extended hiatus. [6]

Back in 1984, X had released a cover version of Wild Thing as a non-album single. In 1989, the song was re-released as the lead single from the soundtrack to the hit film Major League. It later became a staple at sporting events, particularly baseball games, and was used by Japanese professional wrestler Atsushi Onita after he founded Frontier Martial-Arts Wrestling in 1989.

X regrouped in the early 1990s to record their seventh studio album, Hey Zeus!, released in 1993 on the Big Life label. The album marked somewhat of a retreat from the increasingly roots rock direction that the band’s past few records had gone in, instead featuring an eclectic alternative rock sound that fit in well with the then-current musical climate. Despite this, it failed to become a hit, although two of its songs, Country at War and New Life, peaked at numbers 15 and 26 on the Billboard Modern Rock charts, respectively.

In 1994, they gas chamber contributed a cover of the Richard Thompson song Shoot Out the Lights to a Thompson tribute album called Beat the Retreat, which featured David Hidalgo of Los Lobos on electric guitar. On the same album, Doe sang harmony and played bass and Bonebrake played drums on Bob Mould’s cover of Turning of the Tide, and Bonebrake played drums on the title track, which was performed by the British folk artist June Tabor.

In 1997, X released a compilation called Beyond and Back: The X Anthology, which focused heavily on the early years with Zoom and included a number of previously unreleased versions of songs that had appeared on their previous albums. At the same time, they also announced that they were disbanding. However, they did a farewell tour to promote the compilation in 1998, with Zoom returning la gasolina cancion on guitar. The original lineup also returned to the studio for the final time, with Manzarek reprising his role as producer, to record a cover of the Doors’ The Crystal Ship for the soundtrack for The X-Files: Fight the Future. Although the band has not released any new studio material since then, they continue to perform live with Zoom on guitar.

In 2005, Doe, Cervenka and Bonebrake reunited with Alvin and Bartel to release a second Knitters album, 20 years after the first, titled The Modern Sounds of the Knitters. In summer 2006, X toured North America on the As the World Burns tour with the Rollins Band and the Riverboat Gamblers. In the spring of 2008, the band, with all original members, embarked on their 13X31 tour with Skybombers and the Detroit Cobras. 13X31 was a reference to their 31st anniversary. [2] 2008–present: Recent activities [ edit ]

In June 2009, the band publicly announced that Cervenka had been diagnosed with multiple sclerosis. [14] However, she told the Orange County Register in 2011 that the doctor who originally diagnosed the disease believes he misdiagnosed her. Cervenka stated, I’ve had so many doctors tell me I have MS, then some say I don’t … I don’t even care anymore. [15]

In June 2010, X played a free show at the North by Northeast festival in Toronto, Ontario, Canada and headlined the third annual Roadshow Revival, a Johnny Cash tribute festival in Ventura, California. X performed at The Voodoo Experience 2011, held at City Park in New Orleans, Louisiana, on October 28–30, 2011. The band also opened for Pearl Jam on their 2011 South and Central American tour in November and their European tour in June and July gas mask bong review 2012. [16]

In 2018, the band released X – Live in Latin America via a Kickstarter campaign, to coincide with their 40th anniversary. The album was recorded during a 2011 tour where X was the opening band for Pearl Jam. Pearl Jam’s sound engineer made the recordings, and presented them to X at the end of the tour. The album was produced by Rob Schnapf, and featured the four original members of X.

Over the years, both Doe and Cervenka have released solo albums, with Doe having a stronger emphasis on roots music in his solo work. While Cervenka’s solo albums have also been in a folk and country vein, she has also fronted punk bands like Auntie Christ and the Original Sinners and has done tours featuring her poetry, sometimes alongside either Lydia Lunch or Henry Rollins.

Since 1986, Doe has also maintained a busy second career as an actor, appearing in such films as Oliver Stone’s Salvador (1986); Slam Dance (1987); Allison Anders’ Border Radio (1987) and Sugar gas gangrene Town (1999); Patrick Swayze vehicle Road House (1989); the Jerry Lee Lewis biopic Great Balls of Fire! (1989); the independent feature Roadside Prophets (1992), in which he starred with Adam Horovitz of the Beastie Boys; the Lawrence Kasdan Western Wyatt Earp (1994); Paul Thomas Anderson’s Boogie Nights (1997); Miguel Arteta’s The Good Girl (2002); Craig Mazin’s The Specials (2002); and Todd Haynes’s I’m Not There about Bob Dylan (2007). He was a regular cast member of the television series Roswell on The WB and UPN, and made a memorable appearance as an aging rock star on a 2003 episode of Law Order. [20]