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Six nights a week, Rishab Karanwal sits e85 gasoline down at his desk at home at 9.30 pm, turns on his computer and settles in to game. For the next few hours, he goes by his game name Raka. He plays till about 1.30 am or 2 am with no breaks in between. Then Karanwal goes to bed, gets up in the morning, and heads to his day job at a company in Gurugram. Raka is done and Karanwal is back. Until again at night.

Karanwal, 25, isn’t just playing video games for self-gratification. He is playing for a live audience of 1,000-odd viewers, people who tune in to watch him daily with the routine of appointment television. For three nights a week, Karanwal’s game of choice is PlayerUnknown’s Battlegrounds, or PUBG, as it is commonly known. As his character parachutes into a landscape and dexterously kills enemies, people tune in to watch him, comment live, and donate money through a link below the video.

It’s a testament to the popularity of both Karanwal as well as PUBG. The online multiplayer game, which was released in 2017, has exploded around the world, with more than 30 million active users every day. In India, its cult status gasbuddy diesel is undeniable. A survey in December found it is three times as popular as its closest rival. On Google’s Play Store and on Apple’s App Store, it is the top grossing game. Those who are addicted to it play it even during school and office hours.

This obsession with PUBG has provoked a fierce backlash: cities are clamping down, a public interest litigation has been filed against it, and it is often the target of politicos. Just last week, 10 students were arrested in Rajkot, Gujarat, for flouting a police ban on the game. Not that this is likely to dampen the enthusiasm of the young. There are 120 million online gamers in India, and many of them are taking gaming to the level of live spectator sport, playing and streaming games such as PUBG, Fortnite, Counterstrike, and League of Legends, and in the process making thousands of rupees every month.

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What could possibly be of interest in watching a grown man or woman sit in front of a screen, pummeling and thwarting imaginary opponents for hours on end? Plenty, it seems. For one, there’s the inherent gas pain relief pleasure that is derived from watching someone very good at something showcasing those skills with talent and guile. It also spurs amateurs to better their own game. “I thought—let me show people how I do it,” said Gagandeep Singh, a 24-year-old Lucknow-based streamer. “(And) people came and they stayed. If you are talented,(other) people can watch (you) and become better and learn tactics, (like) how to get a chicken dinner (PUBG’s high watermark of success).”

Then there is the non-tactical part: the jokes and banter between gamers and viewers, the chats and commentary that build community and companionship. “People come to relax,” said Karan Puri, a software engineer in Bengaluru, who earns up to Rs20,000 a month through streaming. “I try to engage and entertain, and sometimes take their inputs on game play.”

Payments are purely voluntary, and a significant proportion of viewers are students with no real monthly income. “I don’t want to really push them to pay,” said Puri. But ultimately, donations result in better payoffs for everyone. With greater income for streamers comes greater quality. “If you enjoy something, why don’t you support the creator so he can make better content?” said Puri, 27, when asked what might motivate people to pay. “The streamer can invest money in better hardware, better graphics.”

Quality plays a key role—no one wants grainy transmission or the gas in oil ugly sound of static when they’ve tuned in specifically to be entertained. Shagufta Iqbal, for instance, recently bought a new studio mic (“hella good”), and when she moved to Bengaluru she chose her address based on the quality of internet in the area: nothing but 100 Mbps would do for her. Similarly, at his home in Gurugram, Karanwal has invested in two Wi-Fi routers and an inverter. Scratchy internet speed or power cuts or other technical exigencies will only lead to viewer attrition. One bad day and viewers might migrate to someone else’s stream.

Punctuality is equally crucial. A streamer must diligently stick to a specific time, so that viewers get used to tuning in, almost out of habit. “It’s like watching a serial every night,” said Iqbal, 24, who is among the few women active women streamers zyklon b gas effects. “People come to get entertained.” All breaks must be planned: if a streamer is going to interrupt her routine, she alerts viewers on social media or in her stream (a day ahead, if possible).

Puri says that teenagers, especially those studying in Class 11 or 12, have often asked him for advice on career and life. Iqbal credits streaming for engineering her personal transformation from introvert to extrovert 2015 electricity increase. “I couldn’t talk to people, I used to be super shy and nervous when I first started streaming,” she said. “This has helped me come out of my shell and open up.”

Karanwal has made fans and followers, and encountered the peculiar and gratifying moment of being recognised and asked for a picture. “Yeah, that was cool,” he said. “It’s happened a few times.” Streamers usually speak in English or Hindi, or some combination of both, though there are those who do it only in Tamil, Telugu and Punjabi. Karanwal says he unexpectedly ended up polishing his English once he started streaming.